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Re: [ARSCLIST] Met Opera Record Club
I neglected to identify David Hamilton as the author of the note telling us
that the Met has little claim to those BOMC recordings. Meanwhile, my original
questions (apart from RCA issuing a couple of those sets commercially) linger.
Were these albums ever sold in stores or issued overseas? There's an "Otello"
highlights album with Steber, Vinay and Cleva conducting, on Philips ABL 3005.
I have no equivalent Columbia version turning up in Schwann..I wonder if this
might have been from the Met series.
dl
Mike Richter wrote:
David Lennick wrote:
What can anyone tell me about the albums produced in the 50s by Book
Of The Month as "Metropolitan Opera Record Club"? Were they ever sold
in stores, or available only by mail order? Were they issued in the
UK or Europe? Were any of them derived from commercial recordings?
Are the rights still held by the Met or Book Of The Month?
They were not derived from commercial release but some were released
commercially by RCA. My understanding is that rights are retained by
the Met, which has issued a sort of anthology. I was told that they no
longer had masters or even good copies of the audio in some cases, but
understand that the digitization - as far as it goes - is quite good.
http://www.metoperafamily.org/shop/display.aspx?ID=10062&CatID=20
Mike
Here's some of a discussion from December 2005 on this list:
Contrary to popular belief, the Met does not own the Metropoliitan Opera
Record Club recordings, nor did they ever hold the masters. The entire
project was carried out under the auspices of the Book of the Month
Club, working with Columbia and RCA (the matrix numbers reveal which
company did the engineering and pressing). The "Metropolitan Opera
Record Club" was a b brand name for BOMC. The Met merely lent its name
(for a consideration) and BOMC was supposed to use Met performers (they
began near the bottom of the barrel, then discovered that names DID make
the recordings sell better. RCA later arranged with the BOMC to issue
the Périchole and the abridged Boris sung in English (in Karel Rathaus's
"realization" of Mussorgsky's orchestration), which they had recorded,
on RCA retail discs (IIRC, Bing complained in his memoirs that the Met
got none of the money from that.) Last I heard, nobody seems to know
where the masters are. And, AFAIK, all Met Opera Guild CD tracks drawn
from that series have been dubbed from LPs.
David
At 06:30 PM 12/9/2005, you wrote:
Mike Richter wrote:
> All the usual market forces would ensure that prices were
remarkably low
> if not for the absurd extension of copyright to ensure that the
> corporations holding rights to decades-old material maintained their
> monopoly. Since they are remiss in reissues of any but the most
popular
> material and unwilling to allow others to do so (with exceptions
such as
> Testament), they are destroying the heritage through malign neglect.
>
> Let me cite one instance. In the 1950s, the Metropolitan Opera Record
> Club issued a series of recordings using featured singers and
conductors
> who are otherwise almost undocumented. The Met holds the copyright
and
> zealously defends it, though I am told on good authority that they
not
> only have lost the masters but no longer even have good copies of
many
> of the issued LPs. So Kirsten's Tosca, Tucker's Lenski and
Mitropoulos's
> (abridged) Walkuere are little more than rumors in terms of legal
issues.
>
> Mike
And those discs are coming close to the 50-year mark, if we can just
hold back
the copyright extensions for a couple of years......Canada isn't
going to change
for quite a while yet, incidentally, since there'd barely been
anything proposed
and our Parliament is now in election mode till the end of January.
And I have near mint copies of many of those Met sets.
dl