Re: [ARSCLIST] Software for Mac

[Dave Harris <dave_harris2001@xxxxxxxxx>]

Tom,
 
I use an APT Holman for my pre and go into the Inspire at minus 10.  I have played around with going in flat for 78s and doing curves in Q10.  The main problem here is, after defeating the Inspire RIAA curve, matching the impeadance of the cartridge I use (Stanton 681 with a D6827 stylus).  I haven't decided the best way for me to do that economically.   Right now I don't have a 78rpm turmtable so I have experimented with speed correction in Peak after a 45rpm playback.  It seems to work fine to my ears.
 
Dave



----- Original Message ----
From: Tom Fine <tflists@xxxxxxxxxxxxxxxxxxx>
To: ARSCLIST@xxxxxxxxxxxxxxxx
Sent: Tuesday, October 14, 2008 3:20:53 PM
Subject: Re: [ARSCLIST] Software for Mac

Dave, how is the phono preamp in the Presonus, or are you using an external preamp?

-- Tom Fine

----- Original Message ----- 
From: "Dave Harris" <dave_harris2001@xxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxxxxxx>
Sent: Tuesday, October 14, 2008 3:43 PM
Subject: Re: [ARSCLIST] Software for Mac


I have a lot of personal tapes which I am restoring and archiving. I use BIAS Peak for my 
recording/editing and Waves' Restoration software for any clean up. I also transfer vinyl using the 
Inspire unit from Presonus. The Mac is also part of my home intertainment system where I use iTunes 
for my jukebox. For compression I go to AAC 192kbits. It all works well for me. The G4 I was using 
came to the end of it's 7yr life and I plan to replace it with a MacMini and a bunch of external 
HDs.

Dave



----- Original Message ----
From: Craig Breaden <breaden@xxxxxxx>
To: ARSCLIST@xxxxxxxxxxxxxxxx
Sent: Tuesday, October 14, 2008 10:47:56 AM
Subject: [ARSCLIST] Software for Mac

Hi all,

I'm deciding whether or not to move my audio transfer workflow to Mac.
Pretty much everything else I do is on Mac, particularly since we do
a lot with video oral histories. Right now I use both SoundForge and
WaveLab on a Windows machine, and have considered trying Boot Camp and
Parallels so I can run them on my Mac. My systems guys warned me off
o
mp, and so that leaves either Parallels ($79), so I can run
my software, or getting audio software that will run on a Mac. I can
always stay with my Windows machine for audio, but it drives me a bit
bonkers with its wonkiness. Any suggestions or sharing of experiences
using Parallels would be welcome.

Craig

-- 
Craig Breaden
Head, Media and Oral History
Richard B. Russell Library for Political Research and Studies
Main Library
University of Georgia
Athens, GA 30602-1641
(p) 706-542-5782
(f) 706-542-4144