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Re: [ARSCLIST] Digital Audio Preservation Question

Did anyone out there heavily invest in the DCC format? I think that was better named DOA and it was only in-market a couple of years. So I'd bet, little if anything worth preserving exclusively in DCC format. Minidisc is another matter. I believe machines are still made by a few companies, in fact Sony introduced a "pro" version that would record un-lossy audio a few years ago. But it'll get submerged fast now that flash recorders have taken over and come down in price.

I really like my M-Audio MicroTrak II, by the way. Nice little unit, handy like an old Sony Pressman but much better sound quality. Good battery life. Tiny and light. No, I wouldn't use it for making for-release orchestral recordings but it's fine for anything you'd have used a portable cassette recorder for and more.

-- Tom Fine

----- Original Message ----- From: "Richard L. Hess" <arclists@xxxxxxxxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxxxxxx>
Sent: Tuesday, April 15, 2008 12:15 PM
Subject: Re: [ARSCLIST] Digital Audio Preservation Question

At 12:56 PM 2008-04-14, Don Cox wrote:

I suspect the biggest audio problem in the future will be DAT.

There is good and bad news in this regard.

Good: We are finding that by and large DAT tapes are lasting longer than expected and, with care, so are the head drums.

Bad: Machines are more-or-less out of production.

Bad: It is an officially dead format as far as I can tell -- or if a machine is available it's an $8,000 one.

Coupled with this are the DTRS tapes (8 mm video tapes with typically eight audio channels on them--Tascam DA88, etc.) and ADAT tapes (SVHS tapes with typically eight audio channels on them--Alesis, Studer, etc.)

In addition are some Akai 12-track analog cassette tapes and perhaps some other vendor specific analog and digital "porta-studio" tapes.

Also, I would suggest that MiniDisc is also going to be there soon and DCC (Digital Compact Cassette) is there already.

The Elcaset is not a huge risk as we can fairly easily pull the tape out of the cassette and play it on a reel-to-reel machine as I do with 8-tracks, RCA Sound Tape cartridges, and other formats.



Richard L. Hess email: richard@xxxxxxxxxxxxxxx
Aurora, Ontario, Canada (905) 713 6733 1-877-TAPE-FIX
Detailed contact information: http://www.richardhess.com/tape/contact.htm
Quality tape transfers -- even from hard-to-play tapes.

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