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Re: [ARSCLIST] commerical reels history (was Boston Pops question)
Not quite. The Munch Damnation of Faust in February 1954 was recorded in
stereo but only issued in mono. Something happened to the stereo tapes. The
Reiner recordings of Heldenleben and Salome's dance were recorded on March
6th. Zarathustra came two days later on the 8th. However - and you should
be able to shed some light on this - some stereo recordings were made by
Bert Whyte at the December 1952 sessions of the Chicago Symphony recording
Ma Vlast under Kubelik. 'Tabor' recorded on December 6th has recently been
issued on Music and Arts in a transfer by Obert-Thorne. The very unpleasant
overload distortion on the Mercury Living Presence mono set, very evident on
the CD issue, is not evident in the stereo version.
Steve Abrams
----- Original Message -----
From: "Tom Fine" <tflists@xxxxxxxxxxxxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxxxxxx>
Sent: Sunday, April 08, 2007 12:10 PM
Subject: Re: [ARSCLIST] commerical reels history (was Boston Pops question)
I'd be interested to know what's on them and who released them. I do not
believe you'll find that they are in fact 2T stereo. They are likely
half-track (2-sided) mono. If they are stereo, it would be very
interesting to know who put them out as in 1952 only a few people were
experimenting with 2-channel stereo recording of music. No major labels
yet, although I believe RCA started making 2T masters in 1954 or even
1953 -- I think Zarathustra with Reiner was the first 2T session.
-- Tom Fine
----- Original Message -----
From: "Jack Palmer" <vdalhart@xxxxxxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxxxxxx>
Sent: Sunday, April 08, 2007 12:29 AM
Subject: Re: [ARSCLIST] commerical reels history (was Boston Pops
question)
I bought my first 2 track tapes for my reel recorder/player in the
Base Exchange in Sidi-Slimane, Morocco in 1952. I still have a couple of
them in fact. Jack
----- Original Message -----
From: "Tom Fine" <tflists@xxxxxxxxxxxxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxxxxxx>
Sent: Saturday, April 07, 2007 9:40 AM
Subject: Re: [ARSCLIST] commerical reels history (was Boston Pops
question)
Ampex developed their own, was developed by Leon Wortman in NY and
detailed in a 1951 Radio & TV News article. Wortman's line made
full-track or half-track tapes. Commercial half-track tapes were
available as early as 1951 or 1952, but there was only a very small
consumer market for reel to reel machines at that point. > Because this
was a new format sold at a premium price, a lot of QC attention was paid
by the reputable companies in this era, so the net quality is very high.
Akin to what happened when stereo LPs came along.
.
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