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Re: [ARSCLIST] Malcolm Chisolm (Was: Not using headphones)



Wolf lived long enough too. Remember they both did "London Sessions" albums (I personally like Wolf's better).

I'd love to know the answer to this train of thought, because Chuck Berry probably sold a ton more records with original-release timeframe but I wonder if the blues stuff sold more total copies over time. It was in print for so long in one form or another. I think Muddy and Wolf's stuff, almost all of it, was in print nearly from the day it was released to now except maybe when Sugar Hill Records died and before MCA bought the Chess catalog. I remember as soon as MCA bought it, they started issuing (not very well mastered ) CD's, and Suguar Hill had reissued most of the LPs just a few years before. One of the Sugar Hill anthologies, "Wizards of the South Side" was what got me turned on to Little Walter.

----- Original Message ----- From: "steven c" <stevenc@xxxxxxxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxxxxxx>
Sent: Thursday, August 31, 2006 10:24 PM
Subject: Re: [ARSCLIST] Malcolm Chisolm (Was: Not using headphones)



----- Original Message ----- From: "Tom Fine" <tflists@xxxxxxxxxxxxxxxxxxx>
I dunno about dissing Muddy to bolster Wolf and Walter but I agree Wolf
and Walter were the most
pure talent at Chess, although I'd argue the rhythm section and Hubert
Sumlin came pretty close as
far as musical creativity. Muddy, however, was the franchise player and
should never be slighted. He
sold a heck of a lot of records for them, which floated everyone's boat.
Same with Chuck Berry.

Chuck Berry probably sold WAY more Chess records than any of their blues
artists! As a rock'n'roll star, I'm sure he had a few gold records...and
Chess blues records were merchandised as "race records" until the "British
Blues Revival" made them popular with young white record buyers...

Fortunately, Muddy lived long enough to see that change!

Steven C. Barr


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