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Re: [ARSCLIST] Cataloguing still :-)--was: Cataloguing again--ARSC responsibility?



Karl Miller wrote:

Which of course outlines some very basic challenges to libraries. Assuming
they still care about providing free access to the public, how will they
do that in the digital information environment, especially as they seem to
be trying to become publishers by digitizing holdings. I really don't
understand what library administrators see as the future of libraries.

One approach is in an article I wrote for The Record Collector; it may appear in the next issue. The argument is that what is needed is an audio catalogue - a cross-indexed collection of audio files. They are prepared for amateur appreciation with fidelity limited to that needed to appreciate style and content.


I've published several CD-ROMs with that philosophy including two on voice categories (Italian baritones, Germanic tenors) and one on the complete recordings of a major Italian baritone, Titta Ruffo.

The heart of the program is the indexing. For example, to be able to hear the range of work by a singer; different interpretations of the same title by various singers; changes of interpretation over the decades.

Keeping fidelity low not only provides more music in fewer megabytes, it also means that competition with commercial release is minimized, important since many titles are available in a wide variety of transfers. Those transfers vary so widely - notably when from Pearl and Nimbus Prima Voce - that it is hard to believe the same original was used. The audio catalogue (or, as I have been calling it, the Audio Encyclopedia) makes no judgement in its offering but aids the listener in identifying the titles to be sought in higher quality.

Mike
--
mrichter@xxxxxxx
http://www.mrichter.com/


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