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Re: [ARSCLIST] Record tracking,and ageing, was De-static question



I think we're all forgetting what underlies many of the issues that we now see as problems.

As the cost of shipping kept escalating, the weight of the record package was reduced. The European take on this was to fabricate a thinner jacket, ours a thinner record. What I call the RCA taco was the belimic restult of too much thinning down.

The other factor in making lighter weight records was the record club, which accounted for a large proportion of the LP market. At one time, I believe I read but can't find the referece, it was one side or the other of 40%.

It has always been my feeling that the average quality of playback equipment by those buying through the clubs was somewhat below that of the store purchaser. The ability of the changers and cheaper players to track bass and inside grooves resulted in that most expensive of overhead items, returns. My empirical observation leads me to believe that identifiably record club pressings have less bass than records sold through the stores, though this is not true for Reader's Digest issues, for example. Try the early commercial relase of "Bridge Over Troubled Waters" with it's club counterpart. Eventually, the K-Mart type small all-in-one York, Lloyd, etc., units, were also having problems with inner grooves and bass.

And, of course, EMI took a more active role in their American outfit- Captiol, Angel, etc., and got their revenge for the American Revolution by milking the U.S. market with terrible pressings at normal retail prices while a far superior product was available in the U.K.

And I could go on...

Steve Smolian

----- Original Message ----- From: "Jeffrey Kane" <jeffkane@xxxxxxxxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxx>
Sent: Sunday, February 12, 2006 11:34 AM
Subject: Re: [ARSCLIST] De-static question



Loricraft produce a machine that works via the same principles although it's
more "manual" than the Monks and doesn't include the push-button chemical
delivery that the Monks does. Of course, it's also 1/4th the price. I've had
one for about 3 years and it's working fine although I doubt I tax it
heavily (probably cleaned 2-3,000 records on it). I also have a VPI 16.5.
The VPI gets great results at the price but the Loricraft and Monks cleaning
method simply gets more junk out of the groove.


Jeff

-----Original Message-----
From: Association for Recorded Sound Discussion List
[mailto:ARSCLIST@xxxxxxx] On Behalf Of David Lennick
Sent: Saturday, February 11, 2006 11:28 PM
To: ARSCLIST@xxxxxxxxxxxxxxxx
Subject: Re: [ARSCLIST] De-static question

"Richard L. Hess" wrote:

At 11:34 PM 2/11/2006, Peter Hirsch wrote:
>I'm sure this is all Basic 101 audio and I should be ashamed of
>myself for not just going out and empirically solving this question
>by plunking down my $75 for a Zerostat, but isn't plundering other's
>knowledge and experiences what listservs are for?

I don't do discs professionally. I do tapes. But, I enjoy discs and
I've had a Zerostat for 30 years and it still works. However, if I
want the best transfer I can get, I tend to play records wet. I know
that's not the best thing, but I haven't invested in a big cleaner
and I like the sound of a wet record, usually.

Glub........


May I throw in a small testimonial for a big cleaner? As soon as the Monks
family is building the machines again (and they will be), invest in one of
their machines. You will not regret it. Cleaning any disc on the Monks takes
about 3 minutes and makes an unbelievable difference. This is even more
necessary now that styli need a lighter tracking force (the old Shure SS78E
could take a ton of weight and two plays would clean a ton of gunk out of
the
grooves..I used to use a Dominican Republic half dollar as a weight on the
head
shell for the worst cases). Mine cost more than my first two cars, back in
1999, and it's still performing beautifully. (The cars were purchased in
1968
and 1971, just to put things in perspective.)


dl


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