All the DATS I recorded (ten years worth) are at 44.1, and when a
client brings in a 48k DAT, I usually transfer analog to 44.1 because
it seems to come out just as well or better than a lengthy SRC in the
digital realm. Thought or comments?
I have a Sony 2300 that works as well as the day it was new, a good
D-100, a 59ES that seemed to need heads last time I checked, and a
lowly Panasonic 3500. I've kept the 3500 just in case for a long time
now and never needed it - anyone looking for one?
<L>
On Oct 3, 2005, at 5:04 PM, Richard L. Hess wrote:
Many of us in the tape restoration business are set up for digital
DAT
transfer as Tom Fine pointed out. One of the challenges is deciding
what to do with 48 ks/s DATs. Do you save them as files or downsample
to 44.1 ks/s for audio CDs. I guess the answer is partially, "it
depends." Here's where a file system makes things easier. Perhaps the
answer is "both."