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Re: [ARSCLIST] Soviet Recordings



Many of the Columbia items were recorded outside the Soviet Union, often in France. Much was the result of the populatity of the various touring Russian ballets. Some were acts from or related to Balieff's "Chauve-Souris" popular night-club shows in the 1920s. They made a bunch of 78s in Paris (some with Balieff announcing.)

My sense of the inquiry is that it relates to records made in the Soviet union and, perhaps, those made by Soviet citizens externally. A third may be those made by groups fleeing the SU. The Victor series of Harbin-made Russian Operatics in the 4000 red label series are an early example- probably 1927-8. (I have a dance band record resumably made ther are the same time, a regular Victor black label release- I can't give details at the moment. I think it was a ship's band. A later SU exodus is desscribed in Merle Armatige's book whose title I forget but which I think has "Caviar" in the title. He managed a later fleeing and touring Russian opera company. It's worth a read.

Steve Smolian

----- Original Message ----- From: "Roger and Allison Kulp" <thorenstd124@xxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxx>
Sent: Tuesday, November 13, 2007 7:56 PM
Subject: Re: [ARSCLIST] Soviet Recordings



If you are talking about Soviet (post-1917) recordings,it seems to me that the earliest Soviet recording artist,outside of the country,would be something like The Red Army Choir/Song Ensemble,who began having records issued in the US,on Columbia,if I recall,sometime in the early 30s.

Popular music,as we know it in the west,always had a tough time of it,to say the least,in the old Soviet Union.If you have not read it,I recommend this excellent book:

http://www.amazon.com/Red-Hot-Fate-Soviet-Union/dp/0879101806

Roger

Steven Smolian <smolians@xxxxxxxxx> wrote: Do you mean imported or pressed here? Until LP, all of those pressed here,
as near as I've been able to determine, were dubs.


Some of the World's Fair records (1939-1940) were imported with special
labels and some were dubs.

Earlier discs were probably imported through specialty houses, the
Gramophonen Shop, H. Royer Smith, etc., probably among them.
The family that operated Four Continents in NY, Victor Khamkin in DC, and
shops in San Francisco (I think) and Toronto were mainly in the book
business.

I bought a huge 78 closeout from the basement of Four Continents many years
ago.


I also used to work at Leed Music immediatly after the Stillmans left to
concentrate on Monitor. We had to send some old tapes back through customs
since they had enetered under bond. That was in 1961.


Where are you located? I have a nearly full file drawer of MK catalogs and
other materials.


Steve Smolian


----- Original Message ----- From: "Natalie Zelensky"
To:
Sent: Tuesday, November 13, 2007 11:09 AM
Subject: [ARSCLIST] Soviet Recordings



Hello,


I am trying to gather information on the early distribution of Soviet
recordings in the US.

1.  What was the first recording of Soviet songs that was released in the
US? (year?; label? contents?)

2. I also am trying to find more information regarding subsequent
distribution of recordings of Soviet songs in the US. (Labels?; History?;
Would the companies simply copy from eachother and resell under their
respective labels?). Based on my research in American and Russian-American
papers, it appears that Stinson and the "Am-Rus Music Corporation" were the
first distributors of these records - is this true? Does anyone know
anything else about this "Am-Rus" company?


3.  Could anyone tell me more about the "World's Fair" recording.  (Year?;
Contents?; Performers?).

4.  Does anyone have any suggestions for sources about early Soviet
recordigs in the US?

Thank you very much.

N. Zelensky
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