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Re: [ARSCLIST] Early Polydor electrics, the depression, etc
From: Patent Tactics, George Brock-Nannestad
Hello,
Steven Smolian wrote (snipped)
> I have no documentation to prove it but feel certain that the reason
> Columbia made paralell recordings acoustically to their electrics, the
> former issued on Harmony, was to cater to the old wind-up market.
>
----- I have always thought that when Frank Andrews in his discography of 10"
English Columbia records speaks about "electrical re-recording" in 1925 he
means taking the acoustic record, playing it and creating a new electrically
recorded master, while retaining the old catalogue number. So I never
thought that they were making parallel recordings
----- someone with a better collection than mine (or better finding aids) may
be able to confirm this - there is a chance of a change in the background
noise at the beginning of the electrical one (if in pristine condition)
----- on the other hand, I would prefer positive proof that parallel sessions
were used.
Kind regards,
George