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Re: [ARSCLIST] Disposition of those bluegrass tapes
At 6/27/2006 02:07 PM, Mike Richter wrote:
Interestingly, no one addressed the broader question: How does one
who is not involved with ARSC find a repository for such material?
This is a growing for many communities. I've been calling it the
"tapes in the basement problem." Here in Seattle, we have identified
at least half a dozen separate substantial collections of folk music
tapes that are sitting in various attics and basements, in need of
both preservation and cataloging. Some are concerts or field
recordings, but others are probably just dubs of some friends' record
collections. Without a detailed survey, there's no way to know
exactly what we have. And of course, there is no easy way to figure
out who owns what rights -- performance, recording and composition --
to most of this stuff.
I'm sure there are plenty of other collections of jazz, classical
music, radio transcriptions and oral history tapes facing the same problems.
It seems like there ought to be a local or regional institution who
could take this stuff, but without a) staff, b) proper equipment and
space to preserve the originals and make digital copies, and c) money
to pay for a) and b), the tapes would just end up in some storage
warehouse waiting for somebody to "do something with them."
John Ross