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Re: [ARSCLIST] Curved walls in recording studio



Barbara,

As far as I know a rectangular room need pose no problems as long as its size conforms to the generally accepted ratios:

<http://www.roommodes.com/image1.jpg>

Indeed, many a fine-sounding room has a rectangular floor plan --yes, parallel walls and all.

Curved walls are much harder to predict, and as far as I know generally to be avoided.

A good resource is Walters-Storyk's web site. I saw John Storyk speak at AES in NY --he was great!

<http://www.wsdg.com/dynamic.php5?id=resources/technology/fundamentals>

Good luck!

Marcos

--On Thursday, March 30, 2006 3:07 PM -0600 Language Laboratories and Archives <language-labs@xxxxxxxxxxxx> wrote:

At 12:27 -0800 30/3/06, Mike Richter wrote:
Language Laboratories and Archives wrote:
The Language Labs and Archives at the University of Chicago is
undergoing major changes. One of the results of the latest floor
plan is a recording studio (which can double as a class
room/conference room!) with a curved wall: let's see if I can draw
an approximation:

I gather you are opting for a rectangular box design. That is by far the best choice for setting up standing waves. Unfortunately, standing waves are a very poor choice for recording or playing back audio. The problem is that bass response varies steeply with frequency and with position in the room. The effect is that for one note, position X is overwhelmed while Y is almost silent; for another tone, the strengths are reversed.

Thanx for the input. I inherited a rectangular box in my current facility (and everything I know about doing live recordings has been through osmosis). In general, people have been satisfied with the results (we do have a curtain along one wall, and the walls are not particularly reflexive) This will be at another site on campus and it is being squeezed in where they have room. (All, or nearly all of the recording will be voice.)

Barbara



Marcos



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