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Re: arsclist Digital knowledge preservation



I would point out that one of the biggest issues regarding archival storage
is the usage of "Enterprise-class" storage media that is used by large
corporations (i.e., Fortune 500, etc.) - and that basically revolves around
LTO or SDLT (and perhaps AIT).  It should also be assumed that the data will
have to be migrated on a regular basis to ensure the ability to retrieve it.
Any "consumer" format, IMHO, is a crap-shoot with respect to availability.
We in the audio industry get the scraps from the corporate computing
industry, and archival storage will have to follow these conventions.

-John Spencer
Otari Corp.
----- Original Message -----
From: "Don Cox" <doncox@xxxxxxxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxxxxxx>
Sent: Tuesday, June 18, 2002 2:47 PM
Subject: Re: arsclist Digital knowledge preservation


> On 18-Jun-02, Mike Loughlin wrote:
> > Don-Just because you make an mp3 file of a recording doesn't mean you
> > have to throw the source of the file out. Save it for when it is
> > really needed. In the meantime mp3 files of any recording are easy to
> > make. They are easy to post on the internet. And they are easy to
> > access. If you go to my page at www.mp3.com/stations/totaledison you
> > will find 1,000 Edison recordings on one web page. They all sound
> > great! Why not 1,000,000? Isn't the preservation of knowledge best
> > served by making that knowledge accessible to everyone? What is unwise
> > about this?
>
> Nothing wrong with serving up MP3s on a web site, until we have faster
> downloads and can use lossless compression (in a few years).
>
> That sems to be a good collection, but the web page is too big for easy
> downloading (it crashed one browser), and you have to register to
> listen, which means yet more Spam.
>
>
> >>> minimize the risk of obsolescence. I limit my own attempts at
> >>> preservation to self-contained CD-ROMs in strict ISO 9660 format
> >> and
> >>> include Windows retrieval capability. The language is HTML 2.
> >> Audio
> >>> files are in MP3, which is not as well-defined as I would prefer.
> >>> Unfortunately, the alternatives (WAV, AIFF) are inefficient in use
> >> of
> >>> space and would not serve my purposes as well.
>
> But this poster was talking about archival storage, not consumer
> distribution formats.
>
>
> A major limitation of MP3 for old recordings would be that clicks and
> scratches will be less accurately stored, making digital removal from
> the files difficult. It's safe to assume that Cedar will come out with
> more and more sophisticated software for retrieving good sound from old
> or damaged recordings. To use such software, you need the original raw
> PCM data - ideally in 24/96.
>
> For example, they now have software for correcting wrong azimuth on tape
> playback. That will need the phase of the original audio transfer to be
> preserved.
>
>
> Regards
> --
> Don Cox
> doncox@xxxxxxxxxxxxxx
>
> -
> For subscription instructions, see the ARSC home page
> http://www.arsc-audio.org/arsclist.html
> Copyright of individual posting is owned by the author of the posting and
> permission to re-transmit or publish a post must be secured
> from the author of the post.

-
For subscription instructions, see the ARSC home page
http://www.arsc-audio.org/arsclist.html
Copyright of individual posting is owned by the author of the posting and
permission to re-transmit or publish a post must be secured
from the author of the post.


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