Symposium paintings on metal plate

Symposium

"Paintings on Copper (and Other metal Plates):  Production,
Degradation and Conservation Issues"
Alfons Roig Auditorium
Faculty of Fine Arts
Polytechnic University of Valencia
Valencia, Spain
27-28 January 2017

The international symposium, "Paintings on copper (and other metal
plates):  Production, degradation and conservation issues: is
organized jointly by the Polytechnic University of Valencia (UPV)
and Subdireccion de Conservacion, Restauracion e Investigacion IVC+R
de CulturArts Generalitat Valenciana and the University of Valencia
(UV) and will be held at the UPV last week in January 2017.

This conference will provide a forum to conservators-restorers,
conservation scientists, art historians and related professionals to
discuss issues such as:

    Historical and artistic aspects of the production of paintings
    on metal plate

    Characterization of materials present in paintings on copper and
    other metal plates

    Interaction between paint films and metal substrates.  Influence
    on the stability of paintings

    Degradation of paintings on metal plate.  Common alterations and
    degradation mechanisms

    Conservation treatment of paintings on metal plates.  Ethical
    and aesthetic dilemmas

    Limitations of common conservation treatments traditionally used
    in easel paintings.  Latest research

    Display, handling, transport and storage of paintings on metal
    plate.  Guidelines for their preservation to minimize
    degradation

    Case studies related to the theme of the symposium

More information at: conservacion&restauracion<-at->upv<.>es

Registration: Registration will be available late in September 2016.

Program

28 January 2017

    8.30-9          Registration

    9-9.20          Institutional Opening

    9.20-10         Keynote speech:

                        "Paintings on copper supports: an overview
                        of their conception, creation and
                        conservation"

                        Isabel Horovitz
                        The Painting Conservation Studio
                        London, UK

    10-10.30        "The Spanish connection: The making and trade of
                    Antwerp paintings on copper in the 17th century"

                    Jorgen Wadum
                    Centre for Art Technological Studies and
                    Conservation CATS
                    Copenhagen, Denmark

    10.30-11        Coffee

    11-11.30        "Reconstructing a painting on a copper support:
                    Hendrick van Balen's 'Adoration of the
                    Shepherds' from the Fitzwilliam Museum"

                    Alison Stock
                    Courtauld Institute of Art
                    London, UK

    11.30-12        "Preparation techniques and their impact on the
                    conservation of copper paintings"

                    Nico Broers
                    Ecole Saint Luc
                    Liege, Belgium

    12.30-13        "Chemical, physical and mechanical decay
                    procedures in oil painted copper objects"

                    Lydia C. Pavlopolou
                    Freelance conservator
                    Athens, Greece

    13-14.30        Lunch

    14.30-15        "Silvered" copper plates: A study of material,
                    technique and function of a rare metal support
                    for paintings

                    Anne Schmid
                    Fondation Beyeler
                    Basel, Switzerland

    15-15.30        "Painting on metal plate in the 19th century:
                    Perez Villaamil and his 'Vistas Monumentales'
                    (Dyptic, oil on tinplate)"

                    Lucia Martinez
                    Museo del Prado
                    Madrid, Spain

    15.30-16        "Explorations for consolidants and infill
                    materials for oil paintings on copper: a summary
                    of Master's Thesis work by Leonora Oliveira and
                    Daniel Vega at Universidade Nova de Lisboa"

                    Leslie Carlyle
                    Universidad Nova Lisboa
                    Lisbon, Portugal

    16-16.45        Coffee

    Poster Session 1

    16.45-17        "An insight into the film forming properties of
                    oil paint films in copper paintings and their
                    response to environmental oscillations"

                    Laura Fuster-Lopez
                    Universidad Politecnica de Valencia
                    Valencia, Spain

    17-17.15        "A Saint Jerome after Palma il Giovane: artistic
                    invention and the practice of painting on copper
                    in the age of printmaking"

                    Roxane Sperber, Anna Koopstra
                    Institute for the Preservation of Cultural
                    Heritage
                    Yale University
                    West Haven, USA

    17.15-17.30     "Creating An Enduring Image: An investigation
                    into the materials and techniques of Scipione
                    Pulzone's 'Portrait of Cardinal Antoine Perrenot
                    de Granvelle' (1576)".

                    Sally Higgs, Alexander J. Noelle
                    Courtauld Institute of Art
                    London, United Kingdom

    17.30-17.45     "The collection of copper paintings at the Museo
                    de Bellas Artes de Santa Cruz de Tenerife"

                    Antonio Marrero-Alberto
                    Freelance conservator
                    Tenerife, Spain

    17.45-18        "Conservation project of a collection of Flemish
                    copper paintings"

                    Rocio Magdaleno-Granja,
                    Maria Auxiliadora Gomez-Moron
                    Instituto Andaluz de Patrimonio Historico
                    Sevilla, Spain

    18-18.15         "Gerard ter Borch: copper versus canvas: A
                    comparison"

                    Susanne Stangier
                    Freelance conservator
                    Guttecoven, The Netherlands

    18.15-18.30     "Three-dimensional modelling of a backboard to
                    support and frame a painting on copper by Carlo
                    Maratti (1625-Rome 1713)"

                    Adelaide Izat
                    Jon Allison Brewer,
                    Carlos Bayod Lucini
                    Royal Collection
                    Windsor, United Kingdom

    18.30-20        Evening Reception

28 January 2017

    9-9.15          "Metal supports receptors of color, magic
                    incantations and images in the Greco-Roman
                    magic"

                    Maria Luisa Vazquez de Augredos Pascual
                    Maria Julia Martinez-Garcia
                    Universidad de Valencia
                    Valencia, Spain

    9.15-9.30       "Scientific and technical analysis of copper
                    paintings: some case studies"

                    Maria Francisca Sarria-Martin
                    Inmaculada Chuliau-Blanco
                    Subdireccion de Conservacion, Restauracion e
                    Investigacion IVC+R de Culturarts-GVA

                    Livio Ferrazza
                    Freelance conservation scientist

                    Jose Antonio Madrid-Garcia
                    Universidad Politecnica de Valencia

                    Juan Perez-Miralles
                    Servicio de Conservacion y Restauracion de
                    Bienes Culturales de la Diputacion de Castellon
                    Valencia, Spain

    9.30-9.45       "Theoretical and practical considerations on the
                    presence of lead soaps in the degradation of an
                    18th century oil painting on copperplate"

                    Filip Adrian Petcu
                    West University of Timiasoara
                    Timiasoara, Romania

    9.45-10         "Technical and scientific analysis of 18th
                    century copper paintings: "Immaculate
                    conception" y "Madonna with the child"

                    Guillermo Martin-Quesada
                    Nuria Garcia-Valenzuela Parera
                    Luis Rodriguez-Simon
                    Universidad de Granada
                    Granada, Spain

    10-10.15        "Conservation project of two 18th century copper
                    paintings from the collection at the Diputacion
                    de Valencia"

                    Cristina Vazquez-Albaladejo
                    Adela Murgui-Cervera
                    Aida Roda-Ciudad
                    Diputacion de Valencia
                    Valencia, Spain

    10.15-10.30     "Stratigraphic study, technical analysis and
                    condition report of two copper paintings: 'The
                    dormition of the Virgin' and 'The assumption of
                    the Virgin (18th century)'"

                    Laura Fuster-Lopez
                    J. Manuel Barros
                    Dolores Yusa-Marco
                    Clelia Isca
                    J.Antonio Madrid-Garcia
                    Gemma A. Gomez-Lanzas
                    Universidad Politecnica de Valencia
                    Valencia, Spain

    10.30-10.45     "Restoration of double-sided painting on copper
                    plate in Lithuanian Art Museum"

                    Ruta Kasiulyte
                    Lithuanian Art Museum
                    Pranas Gudynas Restoration Center
                    Vilnius, Lithuania

    10.45-11.30     Coffee

    11.30-11.45     "Reassessment of a consolidation treatment:
                    Investigation and conservation of a persistent
                    paint layer delamination on a 19th century
                    tin-plated iron support painting"

                    Christina Kapeundl
                    Anke Schaning
                    Wolfgang Baatz
                    Institute of Conservation-Restoration
                    Academy of Fine Arts Vienna
                    Vienna, Austria

    11.45-12        "Signposts from the collection of the
                    Auschwitz-Museum"

                    Gunn Pallnitz
                    Manfred Schreiner
                    Institute of Science and Technology in Art
                    Academy of Fine Arts
                    Vienna, Austria

    12-12.15        "Conserving large scale painted metal sculpture"

                    Helen Ingalls
                    Ariel O'Connor
                    Susan Edwards
                    Tiarna Doherty
                    Smithsonian American Art Museum
                    Washington DC, USA

    12.15-12.30     "African American Folk and Self-taught artists
                    painting on metal: David Butler and Sam Doyle"

                    Amber Kerr
                    Helen Ingalls
                    Tiarna Doherty
                    Smithsonian American Art Museum
                    Washington DC, USA

    12.30-13.30     Panel discussion and closing remarks

Laura Fuster Lopez, PhD
Profesora Titular de Universidad
Universidad Politecnica de Valencia
Dept. Conservacion y Restauracion de Bienes Culturales
Camino de Vera s/n
46022 Valencia
Spain
+34 963 877 310 ext 73106


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                  Conservation DistList Instance 30:11
                   Distributed: Sunday, July 31, 2016
                       Message Id: cdl-30-11-010
                                  ***