Conference nineteenth-century painting practice and conservation

A Changing Art: Nineteenth-Century Painting Practice and
    Conservation
The Wallace Collection
London, UK
Friday 7 October 2016

The British Association of Picture-Restorer Conservators (BAPCR) are
pleased to present a major one day conference on the conservation of
nineteenth-century paintings and associated technical research.

The conference will include talks on: approaches to restoration and
the presentation of paintings in the nineteenth century; technical
analysis and research into nineteenth-century artists' materials and
working methods; the challenges faced by today's conservators
treating works from this period, illustrated with case studies.

Tickets

    Early bird rates:

        BAPCR Member:  UKP80
        Non-member:    UKP100
        Student (limited availability):  UKP40

    After July 1, 2016:

        BAPCR Member:  UKP100
        Non-member:    UKP120
        Student (limited availability):  UKP60

Tickets include a drinks reception after the conference and a copy
of the publication to be available in 2017.

For further information and tickets please contact:
bapcrsecretary<-at->gmail<.>com <BAPCRsecretary<-at->gmail<.>com>

Programme

    Sally Woodcock
    Hamilton Kerr Institute

    Keynote Address: Alteration, restoration and why pictures foam:
    what conservators can learn from Victorian artists' colourmen

        Jacob Simon, Nineteenth Century

        Restoration in Public Galleries in Britain in the National
        Portrait Gallery

    Dr Leslie Carlyle
    Universidade Nova, de Lisboa, Portugal

        Nineteenth-Century Oil Painting Materials and Techniques
        Research: A Review of Key Findings from Documentary Sources,
        Results from Reconstructions with Historically Appropriate
        Materials and Suggestions for Future Research

    Adele Wright
    Tate

        Delacroix: Mid-Century Modern Master

    Roxane Sperber
    Yale Center for British Art

        The Retouching Practices of John Linnell and the Challenges
        Posed to Conservators: A Case Study of Hanson Toot, View in
        Dovedale

    Rosalind Whitehouse
    Independent conservator

       "Oily Drops on the Window Pane"

    Fabio Frezzato
    Gianluca Poldi
    Enzo Savoia
    Arianna Splendore
    Centro Ricerche sul Dipinto

        Giovanni Boldini: Technique and Conservation.  A Systematic
        Scientific Study of Forty Paintings and Eight Watercolours

    Gabriella Macaro
    National Gallery, London

        The Barbizon Paintings at the National Gallery, London: A
        Technical Survey

    Hayley Tomlinson
    Sarah Herring
    Gabriella Macaro
    National Gallery, London

        Ernst Victor Hareux and the Barbizon Artists

    Michaela Straub
    Hamilton Kerr Institute

        The Conservation and Research of Two Paintings by Alfred
        East RA

    Nicola Costaras
    Victoria and Albert Museum

        'These pitchy pigments from their very nature never harden':
        Nineteenth-Century Perspective on Premature Cracking in Oil
        Paintings

    Nienke Woltman
    Suzanne Veldink
    Rijksmuseum, Amsterdam

        George Hendrik Breitner at Work: A Joint Perspective on
        Nineteenth-Century Artistic Practice

    Lidwien Speleers
    Dordrechts Museum

        The Cleaning of a Solvent Sensitive Painting by Jacob Maris

    Nele Bordt
    Katy Saunders-Blessley
    Royal Collection

        Observations on Rudolf Swoboda's Painting Technique

"A Changing Art: Nineteenth-Century Painting Practice and
Conservation" is sponsored by Tru Vue.

The BAPCR conference organizing committee,

    Pippa Balch
    Nicola Costaras
    Polly Saltmarsh
    Vicky Sutcliffe


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                  Conservation DistList Instance 30:4
                   Distributed: Sunday, June 12, 2016
                        Message Id: cdl-30-4-003
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