Subject: Surface deposits on wall paintings
I am an MA student in the conservation of wall paintings at the Courtauld Institute in London. My dissertation is on Surface deposits: Investigating the risks posed and suitability of monitoring techniques and control measures. As part of my research, I am interviewing conservation professionals to assess what current conservation practice is with regard to monitoring surface deposits on wall paintings. The deposits I am considering range from dust, to bat and bird excreta, spider silk, candle wax, graffiti, among others. I would very much appreciate any feedback from conservators on the following 5 questions: For wall paintings at the cultural heritage sites, do you either record or monitor surface deposits? If so, what kinds of surface deposits do you find? What methods do you use for recording or monitoring? For example, imaging [raking light, macro], graphic documentation, visual glossary, Dustbugs, etc. How do you think recording/monitoring surface deposits has affected the subsequent treatments you undertake? Have you either implemented or suggested methods of control of surface deposition at your sites? Sarah-Jane Fox MA student, Conservation of Wall Paintings Courtauld Institute of Art London UK *** Conservation DistList Instance 29:44 Distributed: Friday, April 8, 2016 Message Id: cdl-29-44-024 ***Received on Friday, 1 April, 2016