Subject: Call for applications--Nigel Williams Prize
Call for applications Nigel Williams Prize The Nigel Williams Prize rewards conservation work in ceramics, glass and other related materials. Taking place every two years, The Nigel Williams Prize is the result of the collaboration between Nigel Williams' family and the Icon Ceramics and Glass Group. <URL:http://icon.org.uk> It was created to serve both as a memorial to Nigel's work and to encourage continuing high standards at all levels within the profession. The Main Prize: The Winner receives UKP1000 plus a "virtual" presentation of a gilded ceramic copy of the Portland Vase (kindly donated by Wedgwood and kept at the Museum) The Secondary Prize: UKP400 may be awarded to a close runner-up, entirely at the judges' discretion The Student Prize: The Winner receives UKP250. Applications must have been completed while the applicant was still in full-time or further education. Application Criteria: Entries are invited from any Icon Member, whether in the public or private sector. The project must have been completed within three years prior to the next Award (2016) and may be either preventive or interventive (or both). The primary focus of the project must be on the conservation/restoration of ceramics, glass, or a related material. How to Apply: For more information and to request an Application Form please contact Ronald Pile Prize Coordinator ronaldpile37<-at->btinternet<.>com> Submissions require one digital and one hard copy each of the following: A completed application form A brief CV (or CVs for a joint project) An abstract describing the project (maximum 250 words) A maximum of 3000 words outlining the project and describing the work undertaken Up to 20 images on CD Deadline: 30 April 2016 The History of the Prize In the 1960s, before conservation was seen as a profession, a 16-year-old called Nigel Williams started work as a museum assistant the Department of British and Medieval Antiquities in the British Museum. Though he worked on a variety of antiquities, ceramics proved to be his primary and lasting passion, and with that creative mixture of hard graft, good hand-skills and resourcefulness, he eventually became Head of the Ceramics and Glass Conservation section at the museum. His name has since come to be associated with the conservation and restoration of some of the museum's best known objects, especially the Sutton Hoo Helmet and the Portland Vase. In 1994, at the relatively young age of 49, Nigel died suddenly during a British Museum excavation in Jordan. By way of a memorial to his achievements and to the professional values that he upheld, the Ceramics and Glass Conservation Group, together with Nigel's family, later created a Prize to be awarded in his name. The current organisers recognise that for most conservators today the opportunities to conserve or restore high-profile objects such as the Portland Vase are rare. Thus, in acknowledgement of another important aspect of Nigel's work, the Prize is awarded as much in a spirit of encouragement as in that of healthy competition, recognising the value of consistent and day-to-day professional practice. Nigel himself was a great encourager, sharing his knowledge over the years by teaching evening classes, giving lectures both in Britain and abroad, and through his book on Porcelain Repair and Restoration. We are looking forward to hearing from you. Tiago Oliveira Ceramics and Glass Group committee member The Institute of Conservation, UK *** Conservation DistList Instance 29:34 Distributed: Sunday, January 24, 2016 Message Id: cdl-29-34-001 ***Received on Thursday, 21 January, 2016