Subject: MOMA project on modern photographs
MoMA announced completion of a four-year research and conservation initiative for the Thomas Walther collection of modern photographs. Projects include innovative interactive digital site, major publication, symposium, and an exhibition of nearly 300 seminal photographs. "Object:Photo--Modern Photographs 1909-1949" is the result of a four-year collaborative project between the Museum's departments of Photography and Conservation, with the participation of over two dozen leading international photography scholars and conservators, making it the most extensive effort to integrate conservation, curatorial, and scholarly research efforts on photography to date. The project is composed of multiple parts: a website <URL:http://www.moma.org/interactives/objectphoto/#home> that features a suite of digital-visualization research tools that allow visitors to explore the collection, make queries, and discover connections themselves, supported by in-depth information on each photograph and an anthology of essays by scholars on selected themes and pictures; a hard-bound paper catalogue of the entire Thomas Walther collection, with extensive scholarly contributions; an interdisciplinary symposium focusing on ways in which the digital age is changing our engagement with historic photographs; and a related exhibition of works from the Thomas Walther Collection, which is the first full presentation of this remarkable collection. In 2001, MoMA acquired 341 photographs from Thomas Walther's private collection, featuring iconic works by such seminal figures as Berenice Abbott, Karl Blossfeldt, Manuel Alvarez Bravo, Claude Cahun, Alvin Langdon Coburn, Florence Henri, Andre Kertesz, Germaine Krull, El Lissitzky, Lucia Strand, Maurice Tabard, Umbo, and Edward Weston, along with lesser-known treasures by more than 100 others. In 2010, the Andrew W. Mellon Foundation gave the Museum a grant to encourage deep scholarly study of the Walther Collection and to support publication of the results. Led by the Museum's departments of Photography and Conservation, the project elicited productive collaborations among scholars, curators, conservators, and scientists, who investigated all of the factors involved in the making, appearance, condition, and history of each of the 341 photographs in the collection. The broadening of narrow specializations and the cross-fertilization between fields heightened appreciation of the singularity of each object and of its position within the history of its moment. Creating new standards for the consideration of photographs as original objects and of photography as an art form of unusually rich historical dimensions, the project affords both experts and those less familiar with its history new avenues for the appreciation of the medium. Lee Ann Daffner Andrew W. Mellon Foundation Conservator of Photographs The Museum of Modern Art 11 W. 53rd St New York, NY 10019 212-708-9559 Fax: 212-333-1244 *** Conservation DistList Instance 28:29 Distributed: Monday, December 15, 2014 Message Id: cdl-28-29-002 ***Received on Monday, 15 December, 2014