Subject: Conference: Authenticity in Transition: Changing practices in art making and conservation--addendum
"Authenticity in Transition: Changing practices in art making and conservation" Reid Lecture theatre Glasgow School of Art, Glasgow 1-2 December 2014 Programme: We are delighted to announce that Jill Sterret, Director of Collections and Conservation, and head of The Artists Initiative, will open our conference, and we are pleased to post our full programme. For more info and registration go to <URL:http://www.gla.ac.uk/schools/cca/research/instituteofarthistory/centrefortextileconservationandtechnicalarthistory/neccar/> 1 December 2014 8.30-9.20 Registration 9.20-9.30 Welcome 9.30-10.10 Dr Jill Sterrett Director of Collections and Conservation, San Francisco Museum of Modern Art, Title tbc. Jill leads the The Artist Initiative, a long-term project that will involve deep collaborations with living artists and put their voices at the center of a more integrated, evolving approach to conservation and collections research, funded by the Mellon Foundation. 10.10-11.10 Panel 1 "Conservation of contemporary art: from concepts to practice, Cloaca by Wim Delvoye" Dr Muriel Verbeeck Professor L'Ecole Superieure des Arts (ESA) Saint-Luc Liege, Scientific Editor of CeROArt, and Nico Broers, Lecturer ESA Saint-Luc Liege, Belgium "When the critical reception won't let go of the inaugural exhibition: The case of the fragmentation of Mike Kelley's Day Is Done" Dr Ariane Noel de Tilly Emily Carr University of Art + Design, Vancouver, Canada "Keeping Her Real: Conservation of Julian Opie's Suzanne Walking in Leather Skirt (2007)" Joanna Shepard Head of Conservation, Dublin City Gallery The Hugh Lane, Ireland 11.10-11.45 Coffee/tea 11.45-13.00 Panel 2 "Shaping a collection of current art. Between curator and the artist:a problem of authority" Agnieszka Wielocha conservator Museum of Modern Art, Warsaw, Poland "The Legalities of Authenticity and Contemporary Art" Jean Brown Northumbria University, Newcastle "Stills and Touches. Merging concepts of authenticity of the conservator, creators and curators in a very private gallery" Magdalena Grenda Paper conservator, Warsaw Rising Museum "Authorship and Intentionality in the Contemporary Art Museum" Dr Glenn Wharton Clinical Associate Professor, Museum Studies, New York University 13.00-14.00 Lunch 14.00-15.00 Panel 3 "The conservation of the Cybernetic Tower of Nicolas Schoffer: between the continuity and historicity of the production" Manon D'haenens Conservator contemporary art, University of Liege, Belgium "Good Vibrations: Conserving Soto's Grande muro panoramico vibrante" Dr Paolo Martore Independent researcher, free-lance curator, Italy "Authenticity in transition: shifting authenticities in re-performance" Christine Baviere Contemporary art conservator, Avignon, France 15.00-15.45 Panel 4: Poster session Short talks by poster presenters 15.45.00-16.30 Tea/coffee and Posters 16.30-17.30 Panel 5 Discussion round table: tbc 18.00-20.00 Reception 2 December 2014 8.45-9.15 Registration 9.15-9.45 Opening keynote "The Aesthetics of Change: On the Relative Duration of the Impermanent and Critical Thinking in Conservation" Dr Hanna Holling Andrew W. Mellon Visiting Professor, Cultures of Conservation, Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York 9.45-11.00 Panel 6 "Designed to exist in passing time: the evolving authenticity of Robert Rauschenberg's Black Paintings" Jennifer Hickey William R. Leisher Fellow in Paintings Conservation, National Gallery of Art, Washington DC "Through the conservator's lens: a digitally reproduced airbrushed photo-work" Sanneke Stigter Lecturer and researcher Modern and Contemporary Art, University of Amsterdam "Mind the gap: Recognizing the material legacy of transitional art practice" Dr Dawn V. Rogala Paintings Conservator, Smithsonian Institution, Museum Conservation Institute "Street Art: Its evolving materials and a consideration of how necessity is the mother of invention" Will Shank Conservation Resources Management, Barcelona and San Francisco 11.15-11.45 Tea/Coffee 11.45-13.00 Panel 7 "Tracing authenticity in the computational age by looking at alliances in net art practices" Dr Annet Dekker tutor Piet Zwart Institute, Rotterdam and Researcher Digital Preservation Tate, London "Artist's experiments with new materials in works of art: How to preserve intent and matter" Dr Monika Jadzinska Academy of Fine Arts, Warsaw, Poland "Motors matter: Electro-Mechanical devices in contemporary art preservation. Two case studies" Laura Calvi Researcher at Museo del Novecento, Milan Iolanda Ratti Curator Museo del Novecento, Milan and reseacher at Hangar Bicocca, Milan Roberto Dipasquale Senior technician and conservator, Attitudine Forma, Turin 13.00-14.00 Lunch 14.00-14.40 Panel 8 "Connecting practices of preservation: exploring authenticities in contemporary music and performance art" Andreia Nogueira and Helia Marcal Department of Conservation and Restoration, Faculty of Science and Technology/Art History Institute/Sociology and Musical Aesthetics Research Center, Faculty of Social and Human Sciences, Universidade Nova de Lisboa, Portugal, and Faculty of Psychology, Universidade de Lisboa, Portugal "Shifting authenticities in socially engaged contemporary art" Dr Rebecca Gordon Researcher, sessional lecturer, University of Glasgow 14.40-15.20 Panel 9 Artists' discussion Round Table: Authorship, an authenticity issue? 15.20-15.45 Tea/coffee 15.45-16.45 Panel 10 "Identifying aesthetic and technological thresholds in the restoration of contemporary art" Tiarna Doherty and L. H. (Hugh) Shockey, Jr. Lunder Conservation Center, Smithsonian American Art Museum, Washington DC "A conservator's thoughts on 'How to preserve Authenticity in transition' in practice" Stephanie de Roemer Conservator (3-D Art) Sculpture/ Installation Art, Glasgow Life/Glasgow Museums "Blind spots in contemporary art conservation. Results of an interdisciplinary workshop" Julia Giebeler M.A. Conservator and research assistant at Cologne Institute of Conservation Sciences, Cologne Nora Krause Conservator, Collection Management, KAI 10 - Arthena Foundation, Dusseldorf Prof. Dr. Gunnar Heydenreich Cologne University of Applied Sciences, Cologne Institute of Conservation Sciences, Cologne 16.45-17.15 Closing keynote lecture (title tbc) Prof Renee van de Vall Professor Arts and Media, Faculty of Arts and Social Sciences, University of Maastricht 17.15-17.30 Closing and farewell Contact: erma.hermens<-a t->glasgow< . >ac< . >uk and fr.robertson<-a t->gsa< . >ac< . >uk *** Conservation DistList Instance 28:20 Distributed: Saturday, October 18, 2014 Message Id: cdl-28-20-013 ***Received on Thursday, 16 October, 2014