Subject: Polyester film as painting support
I am a recent graduate in the History of Art from the University of Michigan. I also study classical contemporary oil painting. Recently, I was recommended to use Mylar (drafting film) as a support for oil painting studies but not necessarily more important work. I have experimented with it and it is a great surface and seems to handle the paint quite well. However, upon a brief search on the Internet, while the material itself is considered archival for architectural drawings, etc., here seems to be no real consensus of its archival status as an oil painting support. Since I have no advanced background in material chemistry/engineering or conservation science, I am hoping to receive insight regarding the "curing" of the oil paint over time upon the Mylar (synthetic polymer surface). It has been aptly pointed out to me, that one option might be best to treat a completed work on Mylar as a drawing/work on paper, for display and to protect it over time. My instinct is that the oil colors might dull over time and I am skeptical that structurally it has the capacity to fortify a long term bond with the oil as it oxidizes and become more rigid over time. However, acrylic primers and pva sizing (in place of the traditional rabbit skin glue) are used often these days for oil supports, and if I am not mistaken, can be labeled and sold as "archival", so I am not sure if my skepticism is is warranted. However, the concerns of other artists on the Internet were that the paint might actually flake/crack off within as soon as decade. Again, I have tried it, and the oil paints handles well on it, but I am still unsure about it lasting but I have no scientific reason one way or another. If someone has any ideas regarding using the Mylar as a painting substrate and insight as to how it might behave over time, I would really appreciate it. K. Weltman *** Conservation DistList Instance 28:11 Distributed: Friday, August 15, 2014 Message Id: cdl-28-11-021 ***Received on Thursday, 14 August, 2014