Subject: Paintings on asbestos millboard
I do like and appreciate M. Rossol's great contribution regarding health and safety (see Conservation DistList Instance: 27:42 Wednesday, April 30, 2014) but when we live in a world that allows antique violin bows, flutes and other objects to be destroyed at the whim of customs officers because of a small bit of ivory they may (or may not contain as it is often bone!) or the recently reported shortage of W&N #7 water-colour brushes because sable furs are now restricted entry into the US, whereas, Kolinsky sable brushes are made from weasel hairs, which are not a restricted species, you best deal with the paintings yourself without involvement of any government or other official body. At the Rijksmuseum there were a few paintings from the 1930's also on asbestos. These were simply sealed in plastic while remaining in storage with a plan to eventually glaze and seal them into frames for storage and/or any subsequent display. Any exposed or friable edges can first be locally sealed with a resin appropriate for the painting. Many buildings contain a lot of asbestos and it is acceptable where sealed, usually found to be painted and left in place. The main dangers arise with removal or other potential dust creating activity such as drilling or cutting. There are also different types of asbestos, some which are more dangerous and some considered much less so. It seems better to be careful rather than being too alarmed. The crisis that closed the Rijksmuseum prematurely before the recently completed renovation was not simply the result of the presence of asbestos, but rather that during a 'routine' inventorying of all the asbestos in the building that would need to be removed during renovation asbestos blankets used for particulate filtration were discovered in some older air ducts. Knowledge of this in a public building could have lead to the risk of subsequent litigation. But even there the amount found in the building that lead to the closure was at a much lower concentration than that in the street outside. Laurent Sozzani and Eneida Parreira Painting Conservation and Restoration Nicolaas Maes Strt 22-2 1071 RA Amsterdam The Netherlands 31 20 6711905 Mobile: +31 652881796 *** Conservation DistList Instance 27:43 Distributed: Sunday, May 4, 2014 Message Id: cdl-27-43-003 ***Received on Thursday, 1 May, 2014