Subject: Klean Clay
Susan White <smwhitewhite [at] aim__com> writes >I have been using a product called "Klean Clay" ><URL:http://www.kleanklay.com/> for making small >molds and dams when restoring ceramics and have had no problems >until recently. I had thought that this product did not contain >staining oils; however, when I recently used it on a Greek kylix, I >found that it did leave a stain on a small area of unslipped >ceramic. I was able to remove the stain with mineral spirit >poultices, but was wondering if anyone else has had this problem >with this product and/or whether anyone knows if the manufacturer >has changed the formula and if so, whether anyone knows of a safe >alternative non-drying clay. I have the same issue with Klean Klay that I have with people using fullers earth, which is: You don't know what it is made of. With fullers earth you can get a material safety data sheet and at least find out which of dozens of possible minerals it is. But Klean Klay has no MSDS on their website. You'd have to call to get one, and I can tell you in advance: if you get it, it will not be very helpful. Klean Klay is a complex mixture whose ingredients are going to be at least partially withheld as trade secrets or not divulged because they are not considered health hazards. But chemicals which are not regulated as health hazards such as staining oils and some untested plasticizers can still be damaging to artifacts. Not only that, the product comes under the ASTM D 4236 chronic toxicity labeling standard here in the US which means they can withhold the identity of, and can call "nontoxic," any ingredient for which there is no chronic toxicity data! That's outrageous considering that there is no long term toxicity data on most of the organic pigments or on the new phthalates that industry is replacing the toxic banned ones with. They are all currently unregulated. And since it is a commercial product, the manufacturer's formula will change depending on customer preferences, availability and cost of various ingredients, changes in manufacturing processes and equipment, and more. If earlier batches you used did not contain staining oils, there is absolutely no reason to assume the current formulation also does not. Art conservation is a science. Conservators are scientists. Complete treatment records should be kept on everything what was ever done to, or has come in contact with, an artifact. No treatment record should include treatment with an unknown mixture of chemicals from a product that was not even meant for this purpose. Monona Rossol, M.S., M.F.A., industrial hygienist Arts, Crafts and Theater Safety, Inc. 181 Thompson St., #23 New York NY 10012-2586 212-777-0062 *** Conservation DistList Instance 24:26 Distributed: Thursday, November 18, 2010 Message Id: cdl-24-26-001 ***Received on Monday, 8 November, 2010