Subject: Workshop on mannequin making
MS243: Making Museum Quality Mannequins Dates: Apr 12 - May 7, 2010 Price: $475 Instructor: Helen Alten A good mannequin makes an exhibit look professional. Unfortunately, most museum staff do not know how to make a costume look good on a mannequin. The result is that costumes look flat, provide incorrect information or are being damaged. Buying an expensive "museum quality mannequin" is not the solution--garments rarely fit without alterations to the mannequin. Learn how to measure garments and transfer that information to construct a new form or alter an old form so that it accurately fits the garment, creating an accurate and safe display. Learn about the materials that will and won't damage the textile. Making Museum Quality Mannequins provides an overview of all of the materials used to construct mannequins in today's museums. Learn inexpensive mannequin solutions and how different materials may use the same additive or subtractive construction technique. Fabrication methods for many mannequin styles are described. Finishing touches - casting and molding, hair, arms, legs, stands and base, undergarments--are discussed with examples of how they change the presentation of a garment. Course Outline: Introduction The Case for Support Measuring Choosing a Mannequin Style Materials Subtractive Constructions Additive Constructions Casting and Molding Examples of what works and what doesn't Stands, Appendages and Realism Undergarments Attaching it in the exhibit Conclusion Logistics: Participants in Museum Quality Mannequins work through sections on their own. Materials and resources include online literature, slide lectures and dialog between students and the instructor through online forums. Museum Quality Mannequins runs six weeks. To reserve a spot in the course, please pay at <URL:http://www.collectioncare.org/tas/tas.html> If you have trouble please contact Helen Alten at helen<-at->collectioncare<.>org The Instructor: Helen Alten is the Director of Northern States Conservation Center and its chief Objects Conservator. For nearly 30 years she has been involved in objects conservation, starting as a pre-program intern at the Oriental Institute in Chicago and the University Museum of the University of Pennsylvania. She completed a degree in Archaeological Conservation and Materials Science from the Institute of Archaeology at the University of London in England. She has built and run conservation laboratories in Bulgaria, Montana, Greece, Alaska and Minnesota. She has a broad understanding of three-dimensional materials and their deterioration, wrote and edited the quarterly Collections Caretaker, maintains the popular <URL:http://www.collectioncare.org> web site, lectures throughout the United States on collection care topics, and is always in search of the perfect museum mannequin. She has published chapters four chapters on different mannequin construction techniques in Museum Mannequins: A Guide for Creating the Perfect Fit (2002. Helen Alten has been a Field Education Director, Conservator, and staff trainer. She began working with people from small, rural, and tribal museums while as the state conservator for Montana and Alaska. Helen currently conducts conservation treatments and operates a conservation center in Charleston, WV and St. Paul, MN. *** Conservation DistList Instance 23:39 Distributed: Friday, April 9, 2010 Message Id: cdl-23-39-018 ***Received on Wednesday, 7 April, 2010