Subject: Cold storage
James Elwing <jamese [at] phm__gov__au> writes >I am seeking the names of collecting institutions that have >(successfully) embraced genuine cold storage, say 10 deg C or lower, >and certainly below 18 deg C, for a range of materials, as well as >photographic. ... The National Library of New Zealand has fifteen controlled atmosphere rooms with nine of them in the Wellington building, that have been functioning since 1987. The smallest of these is 30m2 (at minus 29 deg. C, cold by most standards) and the largest is 500m2 (for manuscripts and archives at 13 deg. C, 35%RH). Two rooms for photographic glass and film have climates at 15 deg. C, 35%RH and 2 deg. C, 30%RH respectively. The rooms were designed, built and maintained in line with ISO Standards and they work very well. Standards for storage can confer an impartial authority to the contestable allocation of an institution's money. While Standards may be clear, the process of achieving them can be less than simple. About fifteen institutions in NZ (sometimes very small museums and archives) have built controlled atmosphere rooms for photographic collections. Others have more modest controls of the climate--using domestic appliances for dehumidification. I surveyed eleven of these institutions in 2005 to assess their range of achievement, compared to the relevant Standards, and tried to identify their common problems. Some of the following observations were most prominent and may be useful to you. 1. Nomenclature: calling controlled atmosphere rooms 'cool' or 'cold' stores can lead to people mistakenly regarding them as facilities where the temperature is the only important parameter and the control of dehumidification and air quality may be overlooked. This can affect design, construction, maintenance plans 2 as well as funding. 2. Selecting a consulting or construction engineer with relevant experience is important. The calculation of the load (including the room's lighting needs, heat sources within the room; collection retrieval patterns, etc.) is just as critical as the specification of equipment or the integration of climate data into a building management system. 3. The rooms need to be built like a boat (i.e. watertight) especially where you are trying to achieve a significant control of the RH. This idea needs to be thoroughly understood by the construction contractors. Vapour barriers need to well sealed, especially around penetrations of poly-panel surfaces. 4. Chemical dehumidification provides greater stability than mechanical dehumidification, especially for lower temperature and lower RH rooms--where you may be housing colour dye images or acetate film . 5. Store rooms with air purification do not need the same intake of fresh air, meaning significant energy savings. Instances of discomfort and headaches for staff dealing with acetate film were also reported in spaces with no air purification. In other stores containing acetate film with no air purification, corrosion of cooling and dehumidification equipment was reported. 6. Sufficient redundant capacity is important to maintain the climate in the event of equipment failure or programmed preventive maintenance. Some rooms occasionally fail to achieve their target conditions because they are sufficiently complex to require more preventive maintenance than they presently get. The frequency of programmed preventive maintenance will vary with the equipment (three monthly was recommended by one engineer). 8. Backup electrical supply is important--especially if there is a significant difference between the store climate and the climate outside the room. 9. For colder rooms with wet-pipe sprinklers, heating the pipes with a heat trace cable and lagging with thermal insulation can prevent the pipes from freezing. 10 Air locks, if used, should be large enough to comfortably fit trolleys as well as staff. 11. Waste heat should be used elsewhere in the building (e.g. for water-heating). 12 Compliance with Standards is voluntary, unlike fire or electrical regulations, but rooms often achieve a high level of stability when their compliance with Standards is the responsibility of a building manager and this becomes part of a personal performance agreement. More than two decades after the NLNZ's store rooms were constructed, there is a much greater body of literature and array of tools for arguing the benefits that were then intuitively understood. If you have any specific queries about the Library's CA rooms--especially those for photographs, you're very welcome to contact me. Mark Strange Senior Conservator of Photographs National Library of New Zealand PO Box 1467 Wellington 6140, New Zealand +64 4 474 3149 Fax: +64 4 474 3035 *** Conservation DistList Instance 23:25 Distributed: Wednesday, January 13, 2010 Message Id: cdl-23-25-006 ***Received on Thursday, 7 January, 2010