Subject: Magnets for exhibition mounting
Metta Humle Jorgensen <mette.humle [at] natmus__dk> writes >Has anyone used magnets/magnetic for exhibition mounting? If so, >what is your experience with it? At the Canadian Centre for Architecture we have recently started using magnets to mount artefacts to the back wall of exhibition cases. Many exhibition designers do not want to frame art on paper--they feel it looks too precious--so we have been experimenting with ways to mount unframed objects in exhibition cases. For the past few shows we've mounted objects on acid free matboard and then attached the matboard mounts to the wall with 3M 415 double-sided tape. But this was not very satisfactory, since once placed, the object's position couldn't be changed, and removing objects from the wall at the end of the show was very risky to them. Our conservator, Romain Guedj, designed a method of using magnets for the show we put up just last week. Because our designer didn't want the objects to be offset from the wall more than the thickness of the matboard we prepared all of the matboard mounts with their magnets *before* attaching the artefacts to them. Each matboard mount was cut to size (as large as, or just barely larger then, the artefact). A hole 5cm. in diameter was punched in each corner and, for larger objects, at wide intervals along the sides. A circle of mylar attached with double-sided tape closed the top of the hole. A small rare earth magnet (0.5 cm. diameter, 2 cm. thickness) was inset into each hole and the hole was closed on the underside, again with a circle of mylar. The result was a mounting board with magnets inset into the corners, flush with the surface of the board. The artefact was then hinged to the prepared mounting board. The mounted artefact could be easily mounted to the metal wall (or, in our case, to a sheet of metal which had itself been attached to the wall.) Some objects were, for aesthetic reasons, shown in mats. The backboards of the mats had magnets set into them in the same way. We found installation easy, and were also able to easily dismount objects as needed. The largest object we mounted this way measured 72 x 60 cm. A disadvantage of this system is that we have to inset magnets in individual mounting boards for each object. That's time consuming. Hopefully for a future exhibition our designer will accept a moderate distance or thickness between the artefact and the wall. In that case we could use your idea--put a little square of with a magnet attached to it behind each corner of the matboard mount. The Conservation Department liked this system enough that we've suggested to our Exhibitions department that they retrofit a small section of permanent wall vitrines with metal back walls and side walls. We found the small magnets strong enough for our purposes. (We had tested the effectiveness of our small magnets by affixing a matboard mount with inset magnets to the metal door of our lab. After days and days of the door opening and closing the test panel didn't move.) We are doing tests now with using larger and stronger magnets to mount book cradles (or shelves). But--the stronger the magnet the harder it is to detach from the wall. And one of our objectives is to find an easily dismountable system. I would think that, for larger paper artefacts mounted on matboard, several small magnets at each corner would be safer to use than one large one there. Otherwise you might endanger the artefact in dismounting it. Karen Potje for Romain Guedj Conservator Canadian Centre for Architecture *** Conservation DistList Instance 22:26 Distributed: Sunday, November 2, 2008 Message Id: cdl-22-26-005 ***Received on Thursday, 30 October, 2008