Subject: Discarding acetate microfilm masters
>We have commenced a project to create new polyester microfilm >masters of collections for which we hold prime preservation >responsibility (we own the master). The new polyester master is >created via direct contact copying from the original acetate camera >master. It is not possible to refilm these collections. This means >that the new polyester master is a second-generation film. The issue >I am grappling with is this: Should we discard the original >cellulose acetate camera master? > >Issues to consider: > > * is it a problem to have only a second-generation master if > the first-generation is discarded? > > * how can I be confident that the new polyester master is as > good a copy as can be achieved? > > * justifying the resources needed for ongoing monitoring of > vinegar syndrome > > * rationale for keeping acetate masters when we know they will > eventually disintegrate from vinegar syndrome > > * rationale for discarding the acetate masters when they are > the closest thing to the original that we have At University of California, Berkeley we also have a program for inspection of old acetate negatives dating back 50 or 60 years. Although some of these rolls have the vinegar odor and test positive for low levels of acetate deterioration (with test papers), our main purpose in this activity has been to identify redox image deterioration, otherwise known as "microdots." Brittleness and other forms of deterioration are not evident; the films are now stored under environmental controls and many are used to fill requests for duplicates, without complications. I can partially address your questions based on our experience with this, since we have used both contact printing to create polyester negatives, and refilming on modern materials where the original item is available. You ask how you can know whether the new duplicate negative constitutes adequate preservation of the item. The simplest way to do this is by direct comparison through inspection of the two negatives, that is, first and second generation. Where test objects such as resolution charts were included in the filming this may be done fairly objectively: depending on the condition of the contact printer there may be no noticeable loss or there may be the loss of one or two line-pair patterns. In the end, however, it is probably better to make the comparison subjectively, looking particularly for the loss or degradation of fine line or faint characters and "bleeding" or irradiation resulting in poor rendition of bold or thick line. Since the purpose of any printing master is to create copies, you might do well to make periodic comparison test positives from each negative. In the positive made from the new negative, has any information "dropped out" or become difficult to decipher? It is important to use care in the duplicating process, in order to ensure the optimal printing negative. In particular both low-contrast and high-contrast direct duplicating film is available and the choice must be made carefully. Then the film must be exposed and developed for appropriate density levels and image characteristics and of course processed and stored according to best practices. All that said, I don't personally like the idea of discarding original camera negatives for the very reasons you suggest, and also for the reason that where preservation is concerned, 2 resources--particularly when they are stored remote from one another--are better than one. Nonetheless, a large project duplicating historic news film for a national digitization project indicates to us that, with sufficient care duplicate negatives may be produces with adequate detail. And in some cases the duplicating may have the effect of improvement or enhancement to apparent image quality and reproducibility. I hope this reply, though not complete, was of some use to you. Charles Stewart Sr. Photographer head, preservation microfilm lab Pres. dept., U.C. Berkeley library. *** Conservation DistList Instance 20:17 Distributed: Thursday, September 28, 2006 Message Id: cdl-20-17-003 ***Received on Monday, 25 September, 2006