Subject: Workshop on digital prints
Contemporary Photography: Digital Prints A Collaborative Workshop in Photograph Conservation Funded by The Andrew W. Mellon Foundation Hosted by the San Francisco Museum of Modern Art San Francisco, CA November 6-10, 2006 This five-day, intensive workshop will focus on the materials, identification, treatment, and stability of digital prints. Digital preservation and time-based media will be touched upon. The aim of the workshop is to provide conservators with the knowledge and tools to handle the issues surrounding the acquisition and conservation of prints made from digital files, as well as an understanding for the trends in imaging technology and artists' use of modern photographic printing techniques. Questions of process terminology and current definitions of the terms "digital print" and "photograph" will be discussed. Hosted by the San Francisco Museum of Modern Art, the workshop is being coordinated by Theresa Andrews, Conservator of Photographs, and is designed by Franziska Frey of Rochester Institute of Technology and Martin Juergens, Conservator in Private Practice in Hamburg, Germany. Frey and Juergens are noted experts on the issues of testing, stability, standards, preservation, identification, and conservation of digital prints and electronic files. Frey will cover the intricacies of the many printing processes currently in vogue. Hands-on sessions with Juergens will improve participants' identification abilities and investigate issues in the treatment of digital prints. Scott Williams of the Rochester Institute of Technology will provide an introduction to the chemistry of digital printing. Issues related to the stability of materials and current testing practices will be covered by Rita Hofmann of Ilford Switzerland. SFMoMA Curators Sandra Phillips and Corey Keller will discuss their views on digital media within the Museum and approaches toward collecting. A number of artists will present their introduction to digital media, its impact on their work and their viewpoints about preservation. Hans Nohlberg will relate his experiences in establishing a carbon inkjet printing service for artists and in the creation of digital negatives for use with historic processes. Doug Munson of the Chicago Albumen Works will discuss the role of digital-to-film output in photograph preservation. And, Jill Sterrett, Director of Collections and Conservation at SFMoMA, will touch upon the latest concerns and approaches to the preservation of time based media. Eligibility: The Workshop is open to photograph conservators responsible for the care of digital prints. Enrollment is extremely limited. Priority will be given to those with a proven history for dissemination whether in a formal conservation program, in the organization of workshops or meetings, through publication, or the mentoring of interns. Applicants should submit a letter of interest, a curriculum vitae and one letter of support. The applicant's letter should describe why participation in this workshop is important to their educational and professional goals and how it has direct application to their day-to-day work. Prior experience with the topic or lack thereof should be noted as well as opportunities for dissemination of information gained. The applicant should note other Mellon Collaborative Workshops they have attended. Limited financial aid will be awarded on the basis of need and may include some contribution to defray basic travel expenses. A separate statement indicating the reasons for financial assistance and a basic budget should be submitted as part of the application. There is no fee for this workshop. Applications should be submitted to: Mellon Collaborative Course c/o Art Conservation Department 303 Old College University of Delaware Newark DE 19716, USA by July 17, 2006. Any questions should be directed to Elaine Johnson ejonsonc [at] udel__edu 302-831-0837 *** Conservation DistList Instance 19:60 Distributed: Thursday, June 15, 2006 Message Id: cdl-19-60-013 ***Received on Wednesday, 14 June, 2006