Subject: Retouching
Andrea di Bagno <adibagno [at] mfah__org> writes >PVA or MSA paints as suggested by Mark Gottsegen are not a viable >choice if you wish for reversibility as the solvents needed to >remove them would damage the original paint layer. Thank you for the correction regarding using PVA or MSA paints for this procedure. At the recently concluded (yesterday, May 19, 2006) Modern Paints Uncovered Symposium at the Tate Modern, multiple difficulties with the treatment of acrylic dispersion paints were discussed--and many excellent scientific papers were delivered--but few practical answers were provided to practicing conservators. Inpainting paints were only glancingly touched upon, and most favored gouache or watercolor as I recall. One conservator touched on surface coatings and commented that varnishing was not an option. Mark Golden and I later discussed this and wondered why? The stronger solvents needed to remove a cross-linked coating from an oil painting are carefully monitored so as to avoid solubilizing the oil paint films; why could there not be the same theory applied to the cleaning of a varnished acrylic dispersion painting? It has been amply demonstrated that acrylic dispersion paint films are easily penetrated by dirt and moisture and are therefore especially difficult to clean. Wouldn't giving them a "protective" coating make the cleaning easier, as long as the solvents and solvent checks were closely controlled. I'd like to see comments on this--they would be of help to me and manufacturers like Golden in making recommendations to artists. Speaking of the MPU, several conservators expressed frustration at the lack of practical direction the conservation scientists seemed to provide, and I challenged one to develop a list of research questions she'd like to have answered in a practical way. Then I jumped the gun and began developing one of my own. If anyone would like to see it (it's a Microsoft Word document), feel free to send me an off-list email. You can comment on it, too, and add to it or subtract from it, as you wish. Mark D. Gottsegen Chair, ASTM D01.57 Associate Professor Department of Art UNC Greensboro 1203 NC 62 East Climax NC 27233-9183 336-707-3647 Fax: 336-334-5270 *** Conservation DistList Instance 19:57 Distributed: Sunday, May 28, 2006 Message Id: cdl-19-57-004 ***Received on Saturday, 20 May, 2006