Subject: Painting on photographic base
I am working on an oil painting over photograph that needs conservation treatment for an exhibition. The painting is a portrait painted with oil over a photograph (dated from 1860) and the photographic paper has been glued to two layers of canvas and stretched into a strainer. The painting appears to have some type of coating/varnish that shows some discolouration in the clear colours of the portrait (face and white collar) The main problem with the painting is that, apart from some marks, small dents and minor damages, all the dark areas (that is the whole of the painting apart from the face of the sitter) are slightly bloomed, and the whole painting looks very dull as colours have lost their brightness. I have tried to surface clean it without much success as the painting has a surface that repels any water based mixtures. I have done some tests with many solvents and gels to remove the discoloured coating but the painting seems to be sensitive to all solvents and even white spirit removes part of the colour. Solvents also seem to leave a mat surface after evaporating. I would appreciate any advice from other conservators with experience in treatments of painted photographs about the treatment of this painting in general and, more specifically, about the following: What types of coating/varnishes are normally found on oil painted photographs? Can a varnish be safely removed without affecting the paint, the photographic emulsion and the underlaying photographic paper? If the varnish cannot be removed, what type of coating could be applied to saturate the colours again, considering that the paint is soluble in solvents like xylene and white spirits? Mar Gomez Lobon Paintings Conservator Queen Victoria Museum and Art Gallery Wellington St, Launceston TAS 7250 Australia +61 3 6323 3756 Fax: +61 3 6323 3770 *** Conservation DistList Instance 19:23 Distributed: Friday, October 28, 2005 Message Id: cdl-19-23-026 ***Received on Wednesday, 26 October, 2005