Subject: Rare Book School
Readers of the Conservation DistList may be interested in the following courses, offered at Rare Book School at various times during 2006: B-10. Introduction to the History of Bookbinding 6-10 March 2006; repeated June 5-9-2006 Jan Storm van Leeuwen A bookbinding has two main functions. It protects its text block against wear and tear, and, by its structure, it makes a book out of a heap of otherwise separate leaves or quires. Through the ages, the covers, spine, fore-edge and other parts of the book have been decorated in almost every conceivable manner, technique, and material, thereby turning the binding into a work of decorative art. This introductory course, which will discuss the principal techniques and materials used in the West over binding's long history, is intended for those who wish to develop a better understanding of the history of the field; it is not a practical binding course. It is aimed at historians, special collections personnel, collectors, dealers, conservators and bookbinders, and others with an interest in the binding and its history. While discussing more luxurious examples, the course will also introduce the means for dating and localizing simpler bindings. Topics include: basic terminology; the relation between binding and contents; commissioned and signed bindings; decorated papers used in binding; the history of publishers' bindings (primarily) in the United States and England; sources that can be used for research; the study and description of bindings. B-90. Publishers' Bookbindings, 1830-1910 17-21 July 2006 Sue Allen The perception of the importance of c19 books in library stack and other collections has risen dramatically in recent years, and a variety of steps is being taken to preserve them. The cover provided by the publisher is the prime compelling physical aspect of these books. This course is aimed at those working with or interested in c19 book covers. Emphasis is on American book covers with comparisons to English and continental styles. Topics include: the materials (often beautiful), technology, evolving styles of ornamentation, the network of practitioners, the description of bindings, preservation, ongoing research, and developing opportunities in the field. The c19 book cover as we look at it is a complex product of manufacture. It is often difficult to tell what has been done (was the cloth grained or stamped? how exactly was the gold put on?). In today's climate of heightened appreciation of these covers, it is important to understand how they were put together, to distinguish those that are more rare or more unusual, and to recognize which are typical of their time. In laboratory sessions, this course examines the processes of graining, stamping, and embossing so that they are clearly understood. The sequence of bookcloths provided by the manufacturer, their variety of colors and textures, the endpapers, the striped endbands, all the materials the binder brought to the book, are studied in detail, as are--decade by decade--the technologies and styles that changed the appearance of the covers. Special emphasis is given to the identification of "signed" bindings: when they occur and how to look for them. Background case histories are given of practitioners in the field: binder, engraver, publisher, and (at the turn of the century) the artist-designer. The course will make extensive use of Rare Book School's collection of c19 and early c20 binding examples. For further information on these and other RBS courses, visit <URL:http://www.rarebookschool.org> Terry Belanger University Professor University of Virginia Rare Book School PO 400103 Charlottesville VA 22904-4103 Fax: 434-924-8824 434-924-8851 *** Conservation DistList Instance 19:23 Distributed: Friday, October 28, 2005 Message Id: cdl-19-23-015 ***Received on Tuesday, 25 October, 2005