Subject: 19th century military tent
I have recently examined a military tent last used in 1861 by Charles XV, king of Sweden and Norway. The tent consists of: Two outer wall sections, a outer top section: Cotton (probably, might be flax) tabby weave canvas with red and blue decorative bands, probably cotton, affixed to the canvas. One inner wall section and inner top section: thin cotton tabby weave with red and blue lines woven into the fabric. Six wooden tent peg tops, gilded Circular wooden chandelier fastening (some 50cm diameter) that doubles as joiner of inner/outer top sections, with cotton blue, red and white decorative thread, possibly silk. The tent is square and measures 5,2m x 5,2m, standing some 4 m high when raised No tent poles or frame exists-according to record destroyed during the German occupation of 1940-1945. No fiber identification has yet been carried out due to handling problems--the tent is very large and stored in an external cold storage. The tent was formerly exhibited in 1988, some pictures from that exhibition are available but no report on its condition are available--the museum did not possess conservation personnel at the time. The tent has some damage that I feel prohibits safe exhibition before conservation treatment: The outer top section's decorative bands' colors are quite faded and most of them frayed but not yet damaged enough to actually fall off. I attribute this to damage from light and heat during the period the tent was used. The outer wall decorative bands also have frayed segments, but these are not as damaged as the top bands. This damage has, probably, been worsened by the last exhibition of the tent: the tears and frays do not seem as drastic in the 1988 pictures as they do now. The condition is not as yet critical, but I suspect the stress of mounting the tent on a frame as part of an exhibition might cause sections of the bands to fall off. The inner tent top has a hole, probably caused by fungi. This damage can also be seen in the 1988 photos, but not clearly: it is uncertain whether it has been worsened by exhibition. Brown spots due to biological fungi deterioration also appear on the upper outer tent walls--likely the result of the tent having been packaged while damp. I do not deem this deterioration to be active as of now. The chandelier fastenings wooden parts are undamaged, but the silk thread is tangled and damaged--threads fall off due to handling. The reason for this is unknown as examination requires untangling the thread. The tent needs cleaning, but this is not critical. I assess the following problems with exhibiting the tent without conservation treatment: 1. The top, and partly side, outer decorative bands, being frayed and damaged, need to be secured to the fabric before exhibition to avoid pieces falling off due to handling and the stress of mounting the tent on a frame. It seems like these bands were damaged due to the 1988 exhibition. 2. The biological deterioration on the canvas needs to be addressed by cleaning and temperature control in the exhibition. The museum does not have the capacity to regulate temperature properly in its exhibition locales. Thus cleaning and close monitoring during the exhibition seems to be necessary. 3. The chandelier fastenings textile parts must be untangled and the reason for their instability understood. As a single conservator on a museum with no established conservation department. I do not have the capacity to handle this object without halting my primary function this year, that of producing a report on the general condition of the museums' collection. My recommendation therefore to the exhibition manager is to either not exhibit the object or to secure outside expertise for conservation. Opinions would be greatly appreciated, Endre Fodstad Object Conservator The Norwegian Armed Forces Museum *** Conservation DistList Instance 18:15 Distributed: Wednesday, September 15, 2004 Message Id: cdl-18-15-017 ***Received on Wednesday, 8 September, 2004