Subject: Cleaning art glass windows
In response to Sarah Arehart's inquiry on cleaning art glass windows, I gave a paper at the AIC Objects Session this June on cleaning glass. It will be published in the Objects Postprints Volume 11, probably in 2005. Two years ago I ordered some Synperonic A7, and I had to report (at AIC) that I was not happy with it. I was happy with the old Synperonic 'N', and Triton X-100, both now discontinued. As to preparation, the instruction that came with my bottle was simply "Dilute in Water to Use", which is what I have always done with these concentrated surfactants. I generally dilute approximately 20:1, using simply a beaker to measure, and not a graduated cylinder. I have noted, however, that after dilution, the Synperonic A-7 tends to gel and clump, which is annoying. In answer to the specific questions: 1. As far as I know, the shelf life of the diluted solution is indefinite. I have had solutions mixed up for months, and except for the "gelling" mentioned above, the material is still usable, and is an effective cleaner. 2. I have used the solution cold and warm, with little noticeable difference. 3. Initially, I diluted the concentrate simply in warm water. No heating or special preparation was required. 4. I believe it is generally irrelevant what water you use to dilute it. I always wash glass in tap water, and follow this by thorough rinsing in tap water and then thorough rinsing in deionized water. The last rinse is the most important. I have never seen adverse affects on caming, from washing, but I generally don't do windows. 5. Conservation Resources and the MSDS state that "Synperonic A7 is readily biodegradable". I wash, rinse and send it down the drain. It should not be dumped directly into streams/rivers. The "drains and watercourses" are these and storm drains. Regular drains send the water through treatment plants. The MSDS states that "The product is substantially removed in biological treatment processes". One final comment: In the last 2 years, I have washed over 2,000 objects made of glass with Synperonic A7, and have not seen any residues or problems. However, I have now switched to using the new Triton XL-80N, and I simply prefer its handling properties. Stephen Koob Conservator The Corning Museum of Glass One Museum Way Corning, NY 14830 607-974-8228 Fax: 607-974-8470 *** Conservation DistList Instance 18:11 Distributed: Thursday, August 12, 2004 Message Id: cdl-18-11-001 ***Received on Friday, 6 August, 2004