Subject: Mold on paintings
Ulrik Runeberg <rune-ulrik [at] gmx__de> writes >I have been working during the past 10 months with a range of highly >infested paintings (mostly acrylic on masonite, but also mixed media >and oil on canvas), and try to inhibit the growth of mold with the >application of thymol (dissolved in pure ethyl alcohol and applied >with a spray gun on the reverse of the canvas/hardboard). ... More than 10 years at, at RGI, the system VELOXY was developed, tested and certified to solve the problem of insect pests in museums, archives and libraries. (visit <URL:http://www.coventry.gov.uk>). Further research was done to minimise the risk of fungal infection to artistic and historic collections. Find as follows the short description of the outcome of the research done. I will be pleased to show the photos of the tests done at the University of Rome La Sapienza. In the atmospheric air, normally, there is a number of microorganisms (mainly fungal spore and bacteria) which will fall down on the surfaces with the powders suspended air; these microorganisms (upon the environmental physical conditions) can rise serious fungal infections: The velocity of particles is proportional to their radius square (from 2 to 20 micron in the case of spore and form 1 to 10 micron of bacteria); they remain suspended until their velocity is lower to the velocity of the ambient air. The atmospheric concentration of fungi' spore depends on meteorological conditions, seasons and the clime; their number can vary between 10.000 and 20.000 in a cubic meter of air and reach, in some cases, the million. The structures where the cultural heritage is conserved are particularly threatened by microbial invasion because the velocity of the air, inside the deposits, is scarce and, if the level of humidity is high, the biological aerosol will surely raise an infection. The damage caused by fungal infections are serious and irreversible and any action of disinfection will be taken, the problem will be not overcome if the environmental conditions will remain the same. It's worth noting that a high concentration of spore in the air is also dangerous to human health because can cause asthma, allergies and dermatitis. At RGI a new method has been developed to protect the deposits where the cultural heritage is conserved; both made of paper (libraries and archives) and of wood and tissue (museums). It is an equipment, called abios, by which the air is flown through a labyrinth where it is exposed to an high energy UV radiation for a time sufficient to reduce to zero the microbial activity of the airborne powders. The possible formation of traces of ozone is scarce because proper optical filters have been adopted; in any case, a catalysts (alumina, titanium and manganese) was installed to guarantee the absence of this gas in the outlet stream of sterilised air (less than 0,005 ppm). The energy consumption of abios is 175 watt/hour and the air stream that can be treated is more or less 100 m3/hour. At the inlet of abios a filter was installed to stop the powder that could reduce the sterilizing effectiveness of the UV generators; this filter should be substituted every day so to guarantee the integrity of the equipment. The application of abios increases somehow the velocity of the ambient air; this will contribute in the equipment efficacy because an high velocity means to keep the aerosol suspended. Are available the pictures that show the results of the tests executed at the University of Rome La Sapienza (Laboratory of Vegetal Pathology) they respectively are related to: Content of the spore in untreated air Content of the spore in the air at the middle of labyrinth Content of the spore in the air stream at the outlet of abios Ing. Ercole Gialdi RGI Resource Group Integrator srl Viale Nazario Sauro 8 16145 Genova GE +39 10 3626002 Fax: +39 10 3626799 *** Conservation DistList Instance 17:71 Distributed: Friday, May 28, 2004 Message Id: cdl-17-71-002 ***Received on Monday, 24 May, 2004