Subject: Chartham Translucent
Babette Gehnrich <bgehnrich [at] mwa__org> writes >I wondered if anyone has information regarding the permanence and >aging properties of the paper "Chartham Translucent" made by Reich >Paper of NY. I have not worked with that particular paper, but have treated a collection of serigraphs that were interleaved with what might be a similar paper. That product, a translucent cotton paper, was labeled as being solvent free. Nevertheless, oily looking spots appeared on many of the prints and on Color-Aid samples that I used to replicate the damage. Removing the spots was time-consuming, tedious, expensive, and not always totally successful. I have a partially complete article about this, which I will submit to a journal when I can finish writing it. (The manufacturer refused to provide helpful information, and analysis at two museum laboratories did not provide any specific information.) In summary, I suggest that you make storage mock-ups with the kind of papers, media, and housing methods you are contemplating and age the samples for at least five months before using any unproved translucent paper as a cover sheet over valued objects. I hope this is of some help. Feel free to contact me directly if you have further questions. Christine Smith Conservation of Art on Paper, Inc. 2805 Mount Vernon Ave. Alexandria, VA 22301 703-836-7757 *** Conservation DistList Instance 17:67 Distributed: Wednesday, April 28, 2004 Message Id: cdl-17-67-007 ***Received on Wednesday, 21 April, 2004