Subject: Courses at Centre for Photographic Conservation
Final Programme The Centre for Photographic Conservation 233 Stanstead Road Forest Hill London SE23 1HU England, UK The year April 2004-April 2005 will see the final programme of Professional Development Courses to be offered by The Centre for Photographic Conservation, London, England. The Centre will offer a number of extra courses. However, these courses will only take place if the number of participants meet the required minimum. Preference will be given to past participants of The Centre's courses. Preservation and Conservation of Photographic Materials Ref: 100/1 Course dates: May 3-June 18, 2004 or October 4-November 19, 2004 A seven-week Certificated professional development course for experienced conservators and conservation students seeking to increase and develop their knowledge, skills and experience in the field of photographic preservation and conservation. The course programme blends together the history of photography, the theory of photo-chemistry and causes of degradation with the practical hands-on skills and techniques needed for the preservation and conservation of photographic images which, is the main emphasis of the course. Throughout the course participants will not only produce reference images and study materials, which compliment the course notes and documentation of the work studies they will undertake, but, will also have a unique opportunity to assemble a collection of comparative historic images for identification and verification purposes. Preservation and Conservation of Photographic Materials (Theory) Ref: 100/2 Course dates: February 23-25, 2004 or February 21-23, 2005 An intensive three-day course covering the identification, causes of degradation, conservation treatment options, handling and storage of photographic materials. The course is aimed specifically for those with the care and responsibility for photographic collections: Keepers, Curators, Librarians, Archivists, Conservators et al. Identification of Photographic Processes Ref: 100/4 Course dates: May 10-12, 2004 or October 11-13, 2004 An in-depth examination of the process and visual material and degradation characteristics necessary for the identification of historic photographic processes. This intensive three-day course offers heritage professionals and others involved in photography a unique opportunity to undertake a comparative study of a wealth of original historic images, from The Centre's collections, from the birth of photography 1795 to the present day. This course will focus on all of the mainstream, silver and non-silver negative and positive processes. Clear guidelines will be given for the recognition of all processes examined including the confusing array of non-silver, so-called 'photomechanical' processes. Master Class: Advanced Photographic Conservation Techniques Ref 100/5 Course dates: August 30-September 24, 2004 An intensive four-week workshop for experienced conservators introducing advanced practical skills and current knowledge and developments in the preservation and conservation of paper based photographic images. It is assumed that participants have a high level of hands-on skills and also photographic process identification skills. Preference will be given to past participants of The Centre's Certificated course. (Ref: 100/1) Rediscovering Historic Photographic Processes Ref: 100/7 Course dates: May 3-7, 2004 or October 4-8, 2004 A five-day practical workshop providing the opportunity to relive the excitement experienced by the pioneers of photography combined with a user friendly grounding in photo-chemistry. Using materials and equipment contemporary to the historic processes participants will develop further their aesthetic appreciation of early photography, increase their understanding of photo-chemistry and acquire the manipulative skills needed to produce historic photographic processes including the photogenic drawing, calotype, salted paper print, direct positive, cyanotype and the albumen print. Each participant produces a portfolio of unique images utilising each process. Preservation and Conservation of Albums and Photographically Illustrated Printed Books Ref: 100/9 Course dates: March 8-10, 2004 A three-day course looking at the history, design, structure, materials, use, preservation and conservation treatment of photographic albums and photographically illustrated books. The course is structured for all heritage professionals with the responsibility and care of these diverse, vulnerable and problematic artefacts. Preservation of Colour Photographic Materials Ref: 100/10 Course dates: March 1-2, 2004 or February 28-March 1, 2005 This user friendly two-day course for curators, conservators, slide librarians and photographers, will look at all the factors affecting the stability, preservation, treatment, storage, use and choice of these extremely problematic materials. The course handbook and other visual stimuli coupled with informed, clear teaching make this a very informative down-to-earth course. Preservation of Photographic Negatives: Glass and Nitrate, Acetate and Polyester sheet and roll film systems Ref: 100/11 Course dates: February 26-27, 2004 or May 13-14, 2004, October 14-15th October, 2004 or February 24-25, 2005 It needs little imagination to realise that within historic negatives is a treasure trove of social, historical and cultural information in many cases largely unexplored and inaccessible. This two-day course for curators, conservators, slide librarians and photographers, will focus upon the use and identification of photographic negative materials and the specific care, conservation treatment options and preservation storage needs of this diverse problematic material. Conservation and Restoration of Albums and Photographically Illustrated Printed Books: Workshop Ref: 100/15 Course dates: March 8-19, 2004 The rich diversity of album styles, construction and formats presents many problems to heritage professionals both passive and interventive. All too often the needs of the album structure can be met with applied book conservation techniques, however, the needs of the photographs cannot. At best deteriorating albums have been contained and at worst intervention has resulted in a separation of the photographs from their presentation mechanisms with a loss of original information and cultural integrity. This two-week workshop will look at the history and development of the photographic album and photographically illustrated book, their causes of degradation and techniques for the preservation, conservation and restoration treatment of these unique cultural artefacts. New Course: Storage Environments, Systems and Materials for Photographic Albums, Prints, Glass and Plastic Negatives and Positives Ref: 100/17 Course dates: March 3-5, 2004 or March 2-4, 2005 This three-day course is aimed at Heritage Professionals with a responsibility for the care, usage and extended-term preservation of photographic collections. Given the current economic climate with its limitations on both monetary and human resources the need to address the needs of collections as a whole is paramount; utilising available resources to maximum effect. Given the material diversity of photographic processes within collections there is the added confusion as to which storage materials and systems, and which environment; a common environment or mixed environments, should we use? This course will aim to pull together all available knowledge and address the needs of photography with a view to imparting clear guidelines on the choice of storage materials, systems and environments including suppressed temperature and relative humidity storage. More detailed information is at <URL:http://www.cpc.moor.dial.pipex.com/> or for a course outlines and application forms contact Angela Moor +44 20 8690 3678 Fax: +44 20 8314 1940 xfa59 [at] dial__pipex__com *** Conservation DistList Instance 17:43 Distributed: Wednesday, November 26, 2003 Message Id: cdl-17-43-011 ***Received on Tuesday, 18 November, 2003