Subject: Flameproofing velvet curtain
Katharine Untch <kuntch [at] getty__edu> writes Karin von Lerber <karin.vonlerber [at] prevart__ch> writes > * has somebody had experience treating historical cotton > (velvet) with fire proofing chemicals (and with cleaning > cotton velvet before doing so)? Although it is obviously expensive, I would suggest a replica curtain: * I am not optimistic that you could find a fire retardant to apply that would not deteriorate the historic fabric (see case study abstract below). An inherently flame resistant fabric might be preferable. * Application of a liquid to an old velvet is very likely to affect the even appearance of the nap. * Would the organization's insurance company cover injuries if the curtain tore and fell on someone? * A new curtain could be provided through a fund-raising campaign, preferably to special benefactors (it's quicker). This may give you some ideas: I was asked to consult on the yellowing of a cotton fabric used to line the walls and ceiling of a reception room in an official residence. (This was a striped fabric, originally yellow, white, and pale blue, in which all the colours had shifted to yellow/ochre/rust tones. The curator wished to replace the fabric but sensibly wanted to determine the cause of yellowing first.) After an initial examination and discussions with caretakers ruled out contaminants from an old oil heating system, food preparation and service, pest control sprays, candles, previous cleaning attempts, water infiltration, and acidic adhesive and/or backing materials, a number of observational factors (including darkening of the reverse as well as obverse, and comparison to non-installed samples) suggested the possibility of a fire retardant as the cause of yellowing. Analyses through the kind auspices and expertise of Parks Canada and CCI of the backing and adhesive materials, as well as of the installed and stored fabrics, led to the conclusion that the main culprit was ammonium sulfate, an applied (acidic) fire retardant. Dr. Nancy Kerr, of the Dept. of Human Ecology at the University of Alberta provided valuable advice: "The article by Bonnie Halvorson (Flame Retardant Finishes for Textiles ) in the TCN (Fall 95, No. 29) is very good. ..." "The best solution for the wall covering is to buy a fabric that is inherently flame resistant (FR). Modacrylic is good and some polyesters are as well. Suppliers of fabrics for the Interiors trade like Maharam sell fabrics which have an FR rating. The fabric specs will say what flammability tests have been passed like "complies with NFPA-701". Maharam sells Trevira polyester fabrics that meet various fire codes and the brochures show a wide variety of fabrics. Their headquarters: Box 6900, Rasons Court, Hauppauge, NY 800-221-5619. [Note: this was in 2000, so sources may change.] "There is no way to guarantee 20 years of service to a wall covering unless you buy a fabric that is inherently FR. If the designer uses a fabric which must have a finish on it, I don't know which finish to recommend. Many of them have ammonium sulfate or phosphate and other related salts. The topical finishes that Bonnie Halvorson reviews in her paper all have ammonium salts. Borax/boric acid is an old finish that also causes yellowing of fabrics and loss of strength. The ammonium sulfate that was extracted from the current wall covering is responsible for the colour change and any tendering. Light is part of the reaction. If acidic breakdown products are formed over time cellulosic fibers will become weak but acidity doesn't cause yellowing of cotton. The yellowing is a different reaction, usually a light-induced oxidation of a molecule in the finish and the creation of a yellow/brown chromophore." [reproduced by permission of Dr. Kerr.] hope this is helpful, Lisa Mibach *** Conservation DistList Instance 17:41 Distributed: Monday, November 3, 2003 Message Id: cdl-17-41-002 ***Received on Saturday, 1 November, 2003