Subject: Couriers
Kate Woollett <katew [at] artgallery__wa__gov__au> writes >Here at the Art Gallery of Western Australia conservation staff are >currently reviewing procedures for couriering works of art >interstate and overseas. We are interested in what policies other >institutions have instigated, what training couriers receive and >which staff members travel with the works (i.e. is it always a >conservator?). We would like to hear from other institutions as we >are trying to establish what is the current practice out there in >the real world. In the past we have discussed the same issue and have incorporated the following brief statement into our Stewardship Policy and Procedure document: "The chief conservator will make recommendations concerning the need for a courier to accompany the artifact during shipping." This allows for decisions to be made for each loan individually. This is particularly important because our collections are large and diverse. In general couriers are chosen by assessing the following criteria: Historical significance/ insurance value of the artifact Fragility and/or anticipated difficulty moving the artifact Staff expertise in handling the particular type of artifact Staff availability We have fairly large pool of staff with expertise in handling various types of artifacts. At times couriers have consisted of Conservators, Conservation Technicians, Exhibition Staff, Curators, Collection Managers, Loan Coordinators (Assistant Registrar) or Collection Managers. Conservators generally review their specific handling concerns with couriers prior to the transport of artifacts. All of our staff are trained to handle collections by Conservators or Collection managers. Mary M. Fahey Head of Preservation/Chief Conservator Henry Ford Museum and Greenfield Village at The Henry Ford 20900 Oakwood Blvd Dearborn, Michigan 48124 U.S.A. 313-982-6072 *** Conservation DistList Instance 17:39 Distributed: Wednesday, October 29, 2003 Message Id: cdl-17-39-006 ***Received on Wednesday, 29 October, 2003