Subject: Varnish spray booth
On behalf of Laurent Sozzani, Gwen M. Tauber <tauber [at] rijksmuseum__nl> writes > I am writing from the Rijksmuseum in Amsterdam. Due to too many > obstacles to describe here, we are having a difficult time > including a varnish spray booth into our newly planned > restoration and research building. ... I faced the same problem for 30 years and finally worked with an engineer to come up with a really good paintings "spray booth". I proposed a radical design which we built in a new storage facility which worked so well we built two more in our newly renovated labs in our main museum building. They work brilliantly. The trick is the air comes into the booth from the top of the unit and is drawn down through a perforated floor, rather like an air curtain. The make up air is temperature and humidity controlled, though the humidity control is not as precise as the rest of the building. We use them for varnishing pictures with spray or brush and also find them useful for some solvent cleaning jobs. We installed one in our frames and furniture lab which is used in much the same way. I hope to present a paper on our building experiences including the design of the booths at the IIC Bilbao meeting. If you or any of your colleagues are traveling in Australia, you are most welcome to come for a visit and see them. I don't have all the air flow information at hand, but I can put you in touch with the engineer who worked on the three units who will have all the specifications and equipment used. Tom Dixon Chief Conservator National Gallery of Victoria Melbourne Australia *** Conservation DistList Instance 17:38 Distributed: Tuesday, October 28, 2003 Message Id: cdl-17-38-002 ***Received on Tuesday, 28 October, 2003