Subject: Handling materials on television
Yes, the way artifacts are handled on television is fundamentally educational to the viewing public, and therefore should be done with the very best professional technique. I have appeared on TV numerous times: live interviews about Art Conservation topics, special news features on objects I am working on (with the reporter and camera crew with lights and microphones in my modest lab.), and live-to-air, unedited televised phone-in shows. I have also had a regular spot on a radio live-to-air phone in for six years where listeners phone in with questions on Art Conservation. On radio, I must go into exacting verbal descriptions about handling techniques without using any jargon and without boring my audience. Now, there's a challenge! >From this experience, I'd like to mention the major technical considerations when working in front of a camera or microphone. For example, on one live-to-air TV show, there were three cameras, and a floor director who indicated to the guest which camera is "hot" at any given time. Then the guest must position the objects for the alternating cameras, using the best Conservation- approved handling techniques, while continuing to speak in a coherent manner, while maintaining good eye contact with the host. This is not easy. Over the years, I have critiqued the tapes of some of these "appearances" with a critical eye towards just the topic under discussion: that of Handling Materials on Television. One conclusion is that if a Conservator is in front of a camera, it is important to explain, on camera, why she or he is handling the object is the particular way, wearing gloves--or not--the positioning of your hands, etc. Unless the show is live-to-air, however, there is no guarantee that your technical explanation of good handling techniques will not be edited out later due to time/content considerations. It is easy to criticize people on TV. I watch Antiques Road Show and am unhappy about the way the appraisers handle objects. In conclusion, keeping to the highest international Conservation standards while handling materials on TV is the only goal to have. Especially because the actual experience of doing a TV show is, in itself, more than challenging. Ann Shaftel MSc, MA Fellow AIC and IIC, CAPC Conservator *** Conservation DistList Instance 17:11 Distributed: Tuesday, July 15, 2003 Message Id: cdl-17-11-006 ***Received on Tuesday, 8 July, 2003