Subject: Adhesive for exterior woodwork
I am investigating adhesives to be used in the treatment of four exterior ionic capitals (attr. to Bernard and Jugiez, ca. 1765), carved in vertical grained southern yellow pine. Treatment of the capitals will include adhering the split parts, priming and painting and reinstallation at Mount Pleasant. We have a fairly good, though basic, idea of which adhesives we would like to test, but are still open to suggestions. If you have a good idea about suitable adhesives, companies, tests or other related topics, we would be very grateful to hear from you. The following is a summary of our research so far. A list of desired properties of the adhesive was made: * Resistant to weathering (moisture, cold, heat) * Good elasticity (to enable wood to expand and contract) * Reversible/ retreatable * Gap filling (up to 1 mm) * Good ageing qualities (10-50 years?) * Not inhibiting adhesion of alkyd primer and paint (Benjamin Moore) * Good working properties as the fills need to be carved After a rather extensive search in literature we came up with four different categories for exterior wood adhesives that can be suitable for conservation purposes. The categories are based on the binder: 1. Thermoplastic resin, like Butvar B98 (Tg of 144-154 oF or 62-68 oC) with a filler like granulated cork 2. Flexible Epoxy with or without a filler 3. Silicone rubber with or without a filler like phenolic microballoons or chalk 4. Polyurethane Marine Adhesive For category 2, 3 and 4 the wood would need to be sealed with a product like Butvar B98 to avoid penetration in the wood. We are considering to test adhesives on the following properties, possibly before and after (accelerated) weathering: * Elasticity of the joint: tensile strength testing machine, tested under (cyclical) loads of compression and tension. * Adhesive qualities to wood: visual examination of the bond to the wood before and after each test, including weathering, and tensile strength tests. * Compatibility of combinations of a sealer and a filler can be visually examined as well. * Compatibility with paint: preparing a second set of the same samples, primed and painted and running them through the same tests. Obviously the previous is a condensed version of our findings up to now. Please feel free to ask for more information. Rian Deurenberg Andrew W. Mellon Fellow in Conservation of Furniture and Woodwork. Philadelphia Museum of Art Box 7646 Philadelphia, PA, 19101-7646 United States of America 215-684-7556 *** Conservation DistList Instance 16:73 Distributed: Thursday, May 22, 2003 Message Id: cdl-16-73-013 ***Received on Wednesday, 21 May, 2003