Subject: Courses on photographic conservation
Latest information about professional development course available in 2003 at The Centre for Photographic Conservation. The Centre for Photographic Conservation, London, England. responding to the needs of fellow professionals will offer the following programme of professional development training courses and workshops, in the spring and autumn of 2003 on aspects of the preservation and conservation of historic photographs. The Centre's courses offer conservators and other heritage professionals, specialist training in this challenging field, allowing them to polish their skills and upgrade their knowledge of current developments and techniques. Course tutors, Ian Moor and Angela Moor communicate their knowledge and expertise in such a way as to bring alive the history and diversity of photography whilst still fully addressing the 21st Century problems of preserving and conserving this evocative medium. Their approach can not fail to stimulate participants to a deeper understanding of, and professional growth, in this demanding discipline. In 2003 Ian and Angela Moor will have been sharing their knowledge and skills with fellow heritage professionals for 21 years. Whilst the courses at The Centre are intensive the 'Moors' still manage to maintain a friendly, enjoyable and informal atmosphere. Preservation and Conservation of Photographic Materials (Theory) Ref: 100/2 May 26-28, 2003 or September 1-3, 2003 An intensive three-day course covering the identification, causes of degradation, conservation treatment options, handling and storage of photographic materials. The course is aimed specifically for those with the care and responsibility for photographic collections: Keepers, Curators, Librarians, Archivists et al. Suppressed Storage Environments as a Preservation Option Ref: 100/16 May 29-30, 2003 or September 4-5, 2003 This two-day course is aimed at Heritage Professionals with a responsibility for the care, usage and extended-term preservation of photographic collections. This course will seek to give clear guidelines on the benefits, design, use and maintenance of such environments. Rediscovering Historic Photographic Processes Ref: 100/7 September 8-12, 2003 A five-day practical workshop providing the opportunity to relive the excitement experienced by the pioneers of photography combined with a grounding in photo-chemistry. Using materials and equipment contemporary to the historic processes participants will develop further their aesthetic appreciation of early photography, increase their understanding of photo-chemistry and acquire the manipulative skills needed to produce historic photographic processes including the photogenic drawing, calotype, salted paper print, direct positive, cyanotype and the albumen print. Each participant produces a portfolio of images utilising each process. Preservation and Conservation of Photographic Materials Ref: 100/1 October 8-24, 2003 A seven week Certificated professional development course for experienced conservators and conservation students seeking to increase and develop their knowledge, skills and experience in the field of photographic preservation and conservation. The course programme blends together the history of photography, the theory of photo-chemistry and causes of degradation with the practical hands-on skills and techniques needed for the preservation and conservation of photographic images which are the main emphasis of the course. Throughout the course participants will not only produce reference images and study materials, which compliment the course notes and documentation of the work studies they will undertake, but, will also have a unique opportunity to assemble a collection of comparative historic images for identification and verification purposes. Identification of Photographic Processes Ref: 100/4 September 15-17, 2003 An in-depth examination of the process and visual material and degradation characteristics necessary for the identification of historic photographic processes. This intensive three-day course offers heritage professionals and others involved in photography a unique opportunity to undertake a comparative study of a wealth of original historic images, from The Centre's collections, from the history of photography 1795 to the present day. This course will focus on all of the mainstream silver and non-silver negative and positive processes. Clear guidelines will be given for the recognition of all processes examined including the confusing array of non-silver, so-called 'photomechanical' processes. Preservation of Photographic Negatives: Glass, Nitrate, Acetate and other sheet and roll film systems Ref: 100/11 September 18-19, 2003 It needs little imagination to realise that within historic negatives is a treasure trove of social, historical and cultural information in many cases largely unexplored and inaccessible. This two-day course for curators, conservators, slide librarians and photographers, will focus upon the identification of photographic negative materials and the specific care, conservation treatment options and storage needs of this diverse problematic material. Master Class: Advanced Photographic Conservation Techniques Ref 100/5 October 27-November 21, 2003 An intensive four weeks workshop for experienced conservators and conservation students introducing advanced practical skills and current knowledge and developments in the preservation and conservation of paper based photographic images. It is assumed that participants have a high level of hands-on skills and also photographic process identification skills. Past participants of The Centre's seven week Certificated course and four week Advanced course qualify for a 10% discount for any of The Centre's other courses. In-House Training Courses and Lecture Programmes Ref: Prog 100/9 The Centre also offers heritage and business institutions the opportunity to train their personnel in-house. Training courses both practical or theoretical are offered in all aspects of the preservation and conservation of photographic materials, disaster preparedness and recovery techniques and procedures. Please contact The Centre for more information and to discuss your requirements. All course participants receive a course Handbook containing relevant course notes and other related information. Class sizes are small and therefore because of the limited number of places available invariably courses are over-subscribed, you are advised to submit your application as soon as possible. The Centre is always seeking to improve its courses to meet needs as they arise, therefore The Centre welcomes any suggestions for specific courses not listed arising out of a perceived need. The Centre for Photographic Conservation was established by Ian and Angela Moor whose knowledge and experience in the history and processes of photography coupled with aesthetic appreciation, ethical approach and skill have earned them a deserved international reputation in the field of photographic conservation. The Moors have been running courses on aspects of photographic preservation and conservation since 1982. More detailed information, course outlines, fees and application forms may be found at <URL:http://www.cpc.moor.dial.pipex.com/> Or contact Angela Moor for a course outline and application form at +44 20 8690 3678 Fax: +44 20 8314 1940 xfa59 [at] dial__pipex__com *** Conservation DistList Instance 16:45 Distributed: Friday, January 24, 2003 Message Id: cdl-16-45-012 ***Received on Friday, 24 January, 2003