Subject: Montefiascone Project
Montefiascone: Summer 2001 Montefiascone is a medieval walled city on Lake Bolsena, about half way between Rome and Siena. Each summer conservators, librarians, art historians, archivist and others interested in the structure and history of the book, meet to participate in classes, which are held within the walls of the city. The summer 2001 programme is as follows: Week 1 (23 - 27 July) Making and painting out the medieval palette. The course will examine the inks and colours used in medieval manuscript painting. Participants will make and paint out the mineral, plant and animal derived colours using original recipes. We will examine the physical and chemical characteristics as well as problems of longevity and related conservation issues. Identification and consolidation issues will be addressed. The course assumes no previous expertise in the area. Course Tutor: Cheryl Porter Week 2 ( 30 July - 3 August) Bookbinding--From Manuscripts to Printed Book. The course will be largely, though not exclusively, a practical course. Participants will construct a model of a late 15th century book structure in the style of a pre-1500 printed book. The work will involve sewing the text block, fashioning boards in wood and board attachment. Using off-cuts of leather or tawed skin, the spine of the book will be covered in such a way as to leave revealed the structure beneath. The course will discuss the techniques of bookbinding decoration and historical examples will be shown in 35mm slide format. The course is designed to appeal to practising conservators and librarians. Whilst some practical skills would be an advantage, those with no practical experience should not be dissuaded from participating. Course Tutors: Dr Nicholas Hadgraft and Jim Bloxam Week 3 (6 - 10 August) Atlas Structure The atlas is a special binding challenge since the text block is not uniform in make-up from gutter to fore-edge. The course will focus on what factors and stresses one needs to consider and how to build special features to control large folded sheets. Participants will study the history of atlas development. They will construct samples with attention to distribution of folds in maps, strategies to attach guards to push maps away from tight gutters, and to add thickness in the spine to compensate for the extra bulk a folded item produces. We will also focus on selection of proper materials and address repair of folded maps. Course Tutor: Pamela Spitzmueller Tutors: Cheryl Porter studied conservation at the Camberwell College of Arts and worked at the University College London Paintings Analysis Unit. She was a research Fellow at the UCL History of Art Department, working on medieval pigments and the technique of their application to manuscripts. She is a practising conservator who lectures and teaches widely. She has been director of the Montefiascone Project since 1988. Dr Nicholas Hadgraft has a Ph.D. from the University of London on the subject of 15th century book structures. He is a qualified librarian with an MA in Historical Bibliography. After working at the British Library, he worked for college libraries with in the University of Cambridge for fifteen years. He trained as a manuscript and rare book conservator with Christopher Clarkson and is currently working in private practice and a Research Fellow of the London Institute, working to preserve the collections at St Catherine 's Monastery at Mount Sinai. Jim Bloxam is a Senior Book Conservator in the Conservation Department at Cambridge University Library, working on early printed books, manuscripts and archives. He is an Accredited Conservator/Restorer of the Institute of Paper Conservation and has an Honours Degree in Art History (First Class). His particular research interests lies mainly in the history of books; their structural qualities and their cultural context. He has taught for the past three years at the Montefiascone Summer School Library Project. Pamela Spitzmueller is Chief Conservator for Special Collections in the Harvard University Libraries. She has previously headed the Conservation Department at the University of Iowa Libraries and worked as a rare book conservator at the Library of Congress and the Newberry Library. She lectures and teaches book structures and their history, as well as binding one of a kind books focussed on structure complimenting text. The cost of the course is UKP245.00 ($350.0) per week. This includes all materials and tuition, which is in English. Participants may stay in a house within the city walls, close to the main square at the centre of the town. Bedrooms are shared and the accommodation cost is UKP7.00 per person per night ($10.0). If preferred,accommodation can be arranged at a local hotel. Classes run from 9am until 1-1:30, with opportunity to return for private work and study later in the day. Afternoons are free for private work or study, though many take advantage of the spectacular setting to swim in the local huge, clean volcanic lake, or to explore the town (with Romanesque architecture and friendly inhabitants). We are close to Florence, Siena, Rome, Orvieto and other areas of historic interest. For further information contact: Cheryl Porter 7 Venice Lodge 55 Maida Vale London W9 1SD +44 20 7266 0505 Fax: +44 20 7266 0697 chezza.p [at] virgin__net *** Conservation DistList Instance 14:51 Distributed: Tuesday, April 3, 2001 Message Id: cdl-14-51-030 ***Received on Thursday, 29 March, 2001