Subject: Glassine for storage of negatives
Joe Landry <n1mjbe10 [at] pop1__ns__sympatico__ca> writes >One of my clients has been using glassine envelopes to house a large >negative collection in his institution. The envelopes were >purchased from a reputable supplier of conservation quality >materials and the catalogue description says that they are acid free >and will not react chemically with the negatives. >... >Recently he was told by another conservator and a photographer that >the envelopes were detrimental to the collection and should be >replaced. Glassine may be sold as being archival, but that does not mean that it will be free from causing damage. It is a material generally made from wood pulp, occasionally chemically cooked, though more usually not. The source pulp is mechanically beaten to give it a high degree of hydration, a process which degenerates the paper fibres. Ethylene glycol and other additives are then included to increase the translucency and flexibility of the paper. In addition to the possibility of the additives causing harm, the degenerating paper fibre, and the possibility of impurities from the paper source pose a high potential for damage. The deterioration by-products of this decomposition are usually acidic. To get over this problem, manufacturers include a buffer to regulate the pH level. These buffers however tend to be interventional agents not catalytic, which means that they take part in the chemical reactions rather than just promote them. The result of this is that the more acidity an envelope is exposed to the higher the rate of the buffer consumption. When a buffer is completely wasted, degeneration will occur at the normal rate for an unbuffered glassine. Thus the use of a buffer is a decomposition delaying tactic, not a permanent stabilising factor. And the consequent conclusion of this is that stability will reduce upon ageing through the material's own internal faults as well as through exposure to any harmful environmental conditions, buffered or not. This deterioration in all probabilities will affect the material that it contains. In the UK, I have seen glassine envelopes marketed with two descriptions: 1. Acid Free* :- this means that it had a neutral pH when it was manufactured, it doesn't necessarily mean that it will stay that way since there is no indication of the inclusion of stabilising additives. 2. Buffered Acid Free :- This means that a buffer has been included to regulate the pH. Once the buffer is consumed, it will degenerate in the normal way as described above. * One catalogue I have on the desk at the moment, which supplies "Archival" materials, has the following description: "Unbuffered See Thru, Acid-Free Glassine Acid free glassine (26 gms) for a variety of conservation applications. It is transparent and smooth with a pH of approximately 7.0 and is unbuffered. Its light weight makes it easy to fold or shape and is excellent for use in situations where its transparency is helpful. Available in both rolls and sheets" This passage makes a play on being "unbuffered" and completely natural, in truth it is unquantifiable and inadvisable to use. It is also important to note that some buffers that are used in the production of glassine, are also agents of silver tarnishing. Since the majority of photographic images are based on silver, any storage mechanism that contains them must not possess materials that will cause a reaction. You will find glassine marketed as "archival", not "Silver Safe", and I would be extremely surprised if someone showed me a glassine material which consistently passed a "Silver Safe" test. I would never recommend the materials use in any archival situation let alone for photographic storage. Regards, Jonathan S. Farley Senior Conservator Royal Botanic Gardens, Kew Richmond, Surrey TW9 3AE England +44 181 332 5419 Fax: +44 181 332 5278 *** Conservation DistList Instance 11:80 Distributed: Friday, April 3, 1998 Message Id: cdl-11-80-003 ***Received on Thursday, 26 March, 1998