Subject: Metal spraying
From New Scientist, 24 January 1998 A brilliant way to protect outdoor art Metal sculptures that have lost their lustre after years in the open air can now be given a bright new sheen, thanks to a technique for spraying metals developed by weapons researchers in New Mexico. The process was originally designed to prevent corrosion in the containers that store nuclear weapons. Ideally, for a surface that is shiny and resists corrosion, says Kendall Hollis, a metallurgist who works at the Los Alamos National Laboratory, "you want something that is pore and defect-free". However, corrosion-resistant metals, such as stainless steel, are hard for sculptors to cast or machine, and techniques such as electroplating lay down a coating that is too thin for much mechanical polishing or shaping. The Los Alamos technique sprays the sculpture's surface with tiny droplets of molten metal. The metal is melted by an electric arc and then blown at the object with high-pressure gas. "It's analogous to paint spraying," says Rich Castro, who helped develop the process at Los Alamos. "Individual molten particles hit a surface, splat, and solidify." Because the droplets are so tiny, they carry little heat, and cool quickly. Castro says: "You can pretty much coat any surface," including wood, rock and cement. And with metals that have a low melting point you can even coat fabric or paper. The process works for any conductive metal, and can deposit layers ranging from just 1 millimetre thick to a couple of centimetres. One of the advantages is that artists can shape their sculptures in familiar metals such as aluminium or bronze, then coat them with a corrosion-resistant finish, such as nickel. The nickel coating can be thick enough to cover welding joints and withstand final polishing by the artist, while recoating covers surface damage. Ton Cremers *** Conservation DistList Instance 11:67 Distributed: Friday, February 6, 1998 Message Id: cdl-11-67-004 ***Received on Saturday, 31 January, 1998