Subject: Separating acrylic paint from polyacrylate sheeting
Sian Parry <lhm [at] iafrica__com> writes >Durban Museums have a large (6'x 4') mixed media (chalk & oil pastel >& acrylic) work on paper, glazed with perspex sheeting. Some acrylic >pigments have stuck to the perspex. Any advice on how to separate >the perspex from acrylic pigment would be gratefully received. I have had to do this several times and find that local application of heat (or cold) is effective. A slow continuous heat source such as heated sand bags is effective and simple to use. Alternatively ice packages are an option but acrylic will become brittle if frozen so the heat is better. I think there is a description of both hot and cold methods in the 1994 Tate conference proceedings 'Modern works, Modern problems'. Daria Keynan *** Conservation DistList Instance 10:44 Distributed: Friday, November 1, 1996 Message Id: cdl-10-44-001 ***Received on Thursday, 31 October, 1996