sound.
With all digital NR, it's a very fine line between slightly improving
clarity
and sucking the air, space and depth out of the sound. My own bias is
always
toward less but I've made and heard others' examples of judicious use of
digi-tools where audibility and clarity are improved. Rare with
well-recorded
full-range music; the trained ear seems to prefer some hiss or surface
noise
with the entire pallet of music as opposed to a quieter background with
some
colors muted.
-- Tom Fine
----- Original Message -----
From: "Parker Dinkins" <parker@xxxxxxxxxxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxxxxxx>
Sent: Thursday, October 23, 2008 3:52 PM
Subject: Re: [ARSCLIST] Cedar, was: Aren't recordings original sources?
Tom Fine wrote:
Also, many 78 transfers made for CD sets are awful. People do seem to
lop
off the bass -- these records had plenty of low end, it was the TOP end
where they had no musical content. Yet people roll off the bass (maybe
because they have rumble-plagued playback systems) and crank up the EQ
on
the upper midrange, which just accentuates the surface noise and
unnatural
resonances from the original recording devices. Then you apply an
overly
aggressive treatment with CEDAR or whatever else and you get ... crap.
Seems like CEDAR would be just what is required after all that torture.
--
Parker Dinkins
CD Mastering + Audio Restoration
http://masterdigital.com