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Re: [ARSCLIST] Fortissimo
Actually this album had three distinct lives:
1. The Fortissimo version listed below
2. Pachanga With Barretto-Riverside RLP 97506
3. Barretto Para Bailar-Riverside RS 93531
With RLP 97506 coming first, followed by Fortissimo and finally
Tom Fine wrote:
I just read something somewhat relevant to this, in one of the Orin
Keepnews Collection CD reissues booklets. Apparently, Bill Gauer,
Keepnews' partner at Riverside, was a racing car nut and was very into
making these "environmental audio" recordings. The "super-fi" records
were not mentioned in Keepnews' notes, this was to a Blue Mitchell
album. The reference was that Keepnews was down in Florida with Gauer
helping out on one of these racing-cars recordings. Cannonball
Adderley insisted Keepnews go with him and hear Blue Mitchell in a
club during the trip, and Keepnews was duly impressed and signed
Mitchell to Riverside. To everyone's chagrin, the Mitchell records on
Riverside never sold well, and it's a credit to Keepnews that he still
felt strongly enough about Mitchell's talent to include "Blue Soul" in
the Keepnews Collection reissues.
Tying in to Aaron's post, Ray Barretto provided some tasty percussion
on that album.
-- Tom Fine
PS -- one of the earliest "stereo spectacular" albums featuring race
cars was "500 Miles to Victory" on Mercury, recorded by Bill Putnam
and originally issued in stereo on a 2-track tape in 1956.
----- Original Message ----- From: "David Lennick"
Sent: Sunday, September 07, 2008 12:56 PM
Subject: [ARSCLIST] Fortissimo
Anyone remember, or even hear of, a label called FORTISSIMO produced
by Riverside in 1961? Super-quiet surfaces (wonder how they managed
that? Riverside never turned out a quiet disc in their lives), discs
cut from the inside out (changer owners must have loved that), master
tapes recorded at 60 IPS "with the heads oriented horizontally"
(whaaaaa..?), a 400hz alignment tone, and repertoire such as Racing
Cars, Jets, Pipe Organ (miked from inside, I think) and Banjo Polkas.
Amazing what turns up in some of these old audio magazines that I've
never run across in over 45 years of record collecting.