Re: [ARSCLIST] Mercury co-founder Irving Green passes

[Roger and Allison Kulp <thorenstd124@xxxxxxxxx>]

The ones I have are regular Lps.For the most part,they are in heavy cardboard covers, covered in fake leather,sort of like Gunnar Johansen's Artist Direct Lps.(Of which I own a bunch,too.)A few are later issues,are in regular Living Presence-like covers.One of my 10" ones,is in a flimsy paper cover.
   I am beginning to wonder,if I don't own one of the better classical collections,in the world.I am missing many,but not all,of the famed violin rarities,but I own almost all the non-Soria Living Stereos,roughly 80-90 %,of all Living Presences,and RCA monos,a good couple hundred,or more,tulips (Including some of the rare US RCA pressings of the "White Dog" era.),a sizeable chunk of the mono Londons,Columbias, lots of obscure labels,a dozen or so early Lp acetates,on and on.And that's not counting my classical shellac,and my equally large rock/R&B collections...
   I saw one of the sets you speak of years ago,at a Goodwill.It was trashed.Swan Lake,I think.It was either a vinyl/shellac blend,or a hollow porous vinyl,like so many budget labels used.
  Roger Kulp

Tom Fine <tflists@xxxxxxxxxxxxxxxxxxx> wrote:
  Hi Roger:

The guy who probably knows most about this is Michael Gray. I know very little about pre-original 
Mercury classical records. They were mostly taken out of print quickly after Mercury started rolling 
their own. I have a few of them from the very dawn of LPs. They're in 78-style album jackets and 
seem to be made of shellac or something much thicker and heavier and less flexible than typical 
vinyl. I've never played them, just keep them for historical reasons. Not even sure what titles I 
have since they're deep in the shelves.

-- Tom Fine

----- Original Message ----- 
From: "Roger and Allison Kulp" 
To: 
Sent: Sunday, July 09, 2006 2:37 PM
Subject: Re: [ARSCLIST] Mercury co-founder Irving Green passes


>I was going through my pre-Living Presence Mercury Classics Lps,yesterday,and I had forgotten,they 
>had put out the (only ?)US pressings,of the early Sixten Erhling, Swedish Lps.The ones that predate 
>the EMI monos.(I own two of these.)But one noteworthy record I own,is the Mercury-sourced,American 
>Broadcasting Company Quartet,recording of "Death and The Maiden".A quick Google,only mentions the 
>recordings with Reginald Kell,who is obviously not part of this record.I am not sure if this has 
>ever been reissued.
> Roger Kulp
>
> Don Cox wrote:
> On 07/07/06, Tom Fine wrote:
>> You are correct. There were probably 50 more CD's that could have been
>> done (perhaps more if one considered being completist on the mono
>> stuff, which was an unlikely track because there was specific and
>> limited interest in the pre-1956 catalog and that interest was
>> addressed with the handful of mono reissues). Universal decided to
>> discontinue the reissues in 2000 after scaling back the previous two
>> releases. Many of the titles are still in print in the US but seem to
>> be taken out of print in most other markets, which is pretty idiotic
>> since they sold extremely well in the Orient and Europe. A good
>> classical issue is like an annuity -- keep it in print and it will
>> keep sending checks to the home office.
>>
>> While there are probably some on this list who are passionate about
>> small-group and chamber music, in Mercury's case it never sold as well
>> as the orchestral and band recordings, so it was considered at the
>> bottom of the pile for reissues. Solo and concerto stuff like Janos
>> Starker and Byron Janis were big sellers originally and were big
>> sellers on CD. Point is, the reissue was a commercial undertaking (and
>> was very profitable), so what was reissued and in what order was
>> considered very carefully.
>
> It seems to me it is time some of the classic recordings (in all genres)
> were recognised as cultural treasures, so that reissues like these could
> be subsidised by UNESCO, the big Foundations, or Governments in various
> countries, just as art galleries and opera houses are subsidised.
>
> While there may sometimes be a profit to be made from reissues, often
> there is not. Or only enough to support a one-man-and-dog record company,
> with consequent poor distribution.
>
> There are many recordings that should be permanently available to all,
> in the highest possible engineering quality, for the same reason that
> anyone can walk into the National Gallery and look at the pictures.
>
> Regards
> -- 
> Don Cox
> doncox@xxxxxxxxxxxxxx
>
>
>
> ---------------------------------
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