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Re: [ARSCLIST] Vinegar syndrome audio tapes [ARSCLIST] Memorex CDs and more



Hi Bob:

You have spoken very eloquently to this point several times and in several different forums. I agree there is a lot of attempted freeloading going on here. However, do you see some sort of middle ground, where stuff that is now moldering in megaglomerates' vaults can be released in some forum -- and not of low-grade iTunes MP4 quality? I think the iTunes concept is great -- but I would want the quality of the obscure/out-of-print songs I buy for $1 each to be CD quality, not several leagues inferior. We might be moving this way anyway, I know Elliot Mazer is involved in a venture that sells full 44.1/16-bit CD-quality files for prices more akin to printed CD's. My only beef with that is, it's not market price. You're paying for a full ride but getting no packaging, liner notes or aluminum/semi-permanent CD in the deal. I guess my point is, I was hoping that some of the new technologies to buy songs in digital form and have at least some copyright protection would lead to more vaults being sprung open by Big Music, and that's not happened very much or very fast. Again, iTunes is a very good start but surely we can raise the bar very much.

-- Tom Fine

----- Original Message ----- From: "Bob Olhsson" <olh@xxxxxxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxxxxxx>
Sent: Saturday, January 21, 2006 10:08 AM
Subject: Re: [ARSCLIST] Vinegar syndrome audio tapes [ARSCLIST] Memorex CDs and more



Steven C. Barr wrote:
... the owners of the copyrights of most
sound recordings fall firmly into group I, and are employing the classic
"dog in the manger" attitude toward sound recordings...e.g.
"We own it...you CAN'T reissue it...and we WON'T reissue it because
it doesn't promise enough profit!"

To make things worse, they are apparently trying to extend the US
concept of pseudo-eternal copyright to all known countries


I fall firmly in the first camp yet I don't own even a single copyright!

Massive financial interests lie behind the volumes of press releases promoting this idea that "copyright," (i.e. individuals having the right to equity in what they create) has become excessive. This is because they stand to profit handsomely from forcing contemporary "content providers" into accept lower royalties because they are competing economically with a larger public domain. Stock values have soared behind the public perception that electronic distributors will take a dominant position in negotiations for "content" over traditional media.

I'm concerned about this because it's a classic case of killing the goose that laid the golden egg. Copyright equity is how we in the creative community finance everything we do. Limiting copyright can only lead to a return to the government or corporate patronage of the 18th century arts community.

--
Bob Olhsson Audio Mastery, Nashville TN
Mastering, Audio for Picture, Mix Evaluation and Quality Control
Over 40 years making people sound better than they ever imagined!
615.385.8051    http://www.hyperback.com



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