Conservation Classified

Robert Espinosa
1.  	CONSERVATION AS A DISCIPLINE
	1.1	Bibliographies and Literature
		1.1.1	Classification and indexing
	1.2	Congresses and Conventions
	1.3	History
	1.4 	Information Exchange and Dissemination
	1.5	Labs and Facilities
	1.6	Philosophies and Ethics
	1.7	Policies
	1.8	Popular Articles
	1.9	Terminologies
	1.10	Training
	1.11	Lectures and Presentations
	1.12	Conservation in Latin America
	1.13	Safety and Health

2.	PRESERVATION ADMINISTRATION IN LIBRARIES AND ARCHIVES
	2.1	Administration
		2.1.1	Group dynamics
			2.1.1.1  leadership
			2.1.1.2  brainstorming
			2.1.1.3  discussion
	2.2	Binding Preparation
	2.3	Condition Surveys and Assessments
		2.3.1	Condition assessments/general surveys
	2.4	Cooperative Programs
	2.5	Economic Considerations
	2.6	Information Preservation/Computers
	2.7	Library/Binder Relations
	2.8	Library Binding
	2.9	Preservation Selection
	2.10	Personnel
	2.11	Fund Raising
	2.12	Buildings and Environments

3.	CONSERVATION:  ART AND ARCHITECURE--GENERAL
	3.1 	Architectural
	3.2	Furniture
	3.3	Objects
	3.4	Painting
	3.5	Photography

4.	RELATED DISCIPLINES
	4.1	Architecture
	4.2	Archaeology
	4.3	Biology
	4.4	Decorative Arts
	4.5	Ethnography
	4.6	Graphic Arts
	4.7	Information Sciences
		4.7.1	Libraries and librarianship
			4.7.1.1  futures
			4.7.1.2  electronic age
			4.7.1.3  research services
		4.7.2	Descriptive bibliography
	4.8	Museology
	4.9	Musicology
	4.10	Organic Chemistry
	4.11	Photography
	4.12	Symbology
	4.13	Medieval Studies
	4.14	History

5.	ENEMIES OF BOOKS
	5.1	Environmental Enemies
		5.1.1	Air pollutants
		5.1.2	Biological agents
			5.1.2.1  fungi and bacteria
			5.1.2.2  insects
		5.1.3	Disasters
			5.1.3.1  earthquake
			5.1.3.2  fire
			5.1.3.3  war, riot, vandalism
			5.1.3.4  water
		5.1.4	Light
		5.1.5	Relative humidity
		5.1.6	Temperature
	5.2	Inherent Vice
		5.2.1	Inks and colorants
		5.2.2	Leather
		5.2.3	Paper
		5.2.4	Photographic
		5.2.5	Sound recordings and magnetic tape

6.	PROTECTION AND CARE OF MATERIALS
	6.1	Biological Control
	6.2	Care of Books
	6.3	Care of Manuscripts and Archive Collections
	6.4	Care of Objects
	6.5	Design of Library and Archives Buildings
	6.6	Enclosures
	6.7	Environmental Controls
		6.7.1	Air cleaning
		6.7.2	Air conditioning
		6.7.3	Relative humidity
		6.7.4	Temperature
	6.8	Exhibition
		6.8.1	BYU exhibition catalogs
		6.8.2	Other exhibition catalogs
	6.9	Fire and Water Protection
		6.9.1	Disaster preparedness
		6.9.2	Fire
		6.9.3	Water
	6.10	Handling and Shelving
		6.10.1	Controlling access
		6.10.2	Moving
		6.10.3	Photocopying
		6.10.4	Shelving
	6.11	Library Security
	6.12	Stack Maintenance
		6.12.1	Dusting and cleaning
		6.12.2	Treatment of leather binding
	6.13	Storage in General
	6.14	Storage of Maps
	6.15	Storage of Photographs
	6.16	Storage of Prints and Drawings
	6.17	Storage of Sound Recordings
		6.17.1	Discs
		6.17.2	Magnetic Tapes
	6.18	Storage on Microform
	6.19	Storage of Films

7.	BOOKS AND BOOKBINDING
	7.1 	History and Development of Books and Printing
		7.1.1	Pre-printing
			7.1.1.1  codicology
			7.1.1.2  development of alphabet
			7.1.1.3  illumination
			7.1.1.4  manuscript books
			7.1.1.5  paleography
			7.1.1.6  papyrology
		7.1.2	Printed books
			7.1.2.1  printing
			7.1.2.2  typography
			7.1.2.3  illustrative processes
	7.2	History and Development of Bookbinding
		7.2.1	General
		7.2.2	Pre-1400
		7.2.3	By country:
				England, France, Germany, Germany-Erfurt,
				Germany-Wittenberg, Ireland, Islamic, Italy, Russia,
				Scandinavia, Scotland, United States, Ethiopia
	7.3	Bookbinding Structure
		7.3.1	Boards
		7.3.2	Board attachment
		7.3.3	Bosses and fittings
		7.3.4	Covering
		7.3.5	Decoration
		7.3.6	Edge decoration
		7.3.7	Endbands
		7.3.8	Endleaves
		7.3.9	Fastenings
		7.3.10  Sewing
		7.3.11  Spine
		7.3.12  Textblock
		7.3.13	Fine bookbinding
	7.4	Bookbinding Technology
		7.4.1	Adhesive binding
			7.4.1.1  non-adhesive binding
		7.4.2	Case binding
		7.4.3	Cleat sewing
		7.4.4	Limp vellum binding
		7.4.5	Machine binding
		7.4.6 	Oversewing
		7.4.7	Paper binding
		7.4.8	Library binding technology
		7.4.9	Pamphlet binding
		7.4.10	Oriental binding
		7.4.11	Hard-board binding
		7.4.12  Post binding

8.	PAPER AND PAPERMAKING
	8.1	History and Development of Papermaking
		8.1.1	Far east
		8.1.2	Islamic countries
		8.1.3	Central Asia
		8.1.4	The west
		8.1.5	Africa
		8.1.6	Europe
	8.2	Papermaking Technology
		8.2.1	Raw materials
		8.2.2	Beating
		8.2.3	Sheet formation
		8.2.4	Drying
		8.2.5	Sizing
		8.2.6	Watermarks
		8.2.7	Ruling
	8.3	Paper Science
		8.3.1	Cellulose
		8.3.2	Cellulose deterioration
		8.3.3	Papermaking fibers
	8.4	History of Prints and Printmaking

9.	MATERIALS AND MATERIAL SCIENCE
	9.1	Accelerated Aging
	9.2	Adhesives
		9.2.1	Cellulose ethers
	9.3	Analytical Methods
	9.4	Book Board
	9.5	Book Cleaning Materials
	9.6	Book Cloth
		9.6.1	Coating
	9.7	Dyes and Dyeing
	9.8	Fibers
	9.9	Gelatin
	9.10	Heat-set Tissue
	9.11	Ink
	9.12	Leather
	9.13	Leather Treatments
	9.14	Microreproductive Processes
	9.15	Paints and Pigments
	9.16	Papyrus
	9.17	Parchment
	9.18	Photographic Science
	9.19	Polyester
	9.20	Solvents
		9.20.1	Surface active agents
	9.21	Textiles
	9.22	Thread, Tape
	9.23	Water Purity
	9.24	Writing Instruments
	9.25	Sharpening

10.	CONSERVATION:  EXAMINATION, DOCUMENTATION, ANALYSIS
	10.1	Authentication
	10.2	Examination, Condition and Treatment Forms
		10.2.1	Examination and documentation policy
		10.2.2	Book collation practices
	10.3	Fiber Identification and Analysis
	10.4	Instrumental Analysis
		10.4.1	Gas chromatography
		10.4.2	Visible spectroscopy
		10.4.3	X-ray diffraction
		10.4.4	X-ray fluorescence
	10.5	Microchemical Tests
	10.6	Photographic Documentation
		10.6.1	Beta-radiography
		10.6.2	Infra red
		10.6.3	Raking light
		10.6.4	Specular
		10.6.5	Transmitted light
		10.6.6	Ultraviolet
		10.6.7	Slide classification
	10.7	Microscopy
		10.7.1	Stereo binocular
		10.7.2	Polarized light
		10.7.3	Scanning electron microscopy
	10.8	Spot Tests
		10.8.1	Alum
		10.8.2	Alum rosin
		10.8.3	Lignin
		10.8.4	Protein
		10.8.5	Starch
		10.8.6	pH
		10.8.7	Vegetable tannins
	10.9	Treatment Report Forms
	10.10	Ink Analysis

11.	CONSERVATION TREATMENT METHODS AND TECHNIQUES
	11.1	Archives and Manuscripts
	11.2	Book
		11.2.1	Minor treatments
		11.2.2	Rebacking
		11.2.3	Rebinding
			11.2.3.1 hard-board laced
			11.2.3.2 limp vellum
			11.2.3.3 paper case
		11.2.4	Drying
	11.3	Boxmaking
		11.3.1	Simple enclosures
	11.4	Cradles
	11.5	Freeze-drying
	11.6	Fumigation
	11.7	Furniture
	11.8	Leather
	11.9	Maps
	11.10	Objects:  Metals, Stone, Wallpaper, Wood, Glass, Plastic, Plaster, Pastel
		etc.
	11.11	Painting
	11.12	Paper
		11.12.05 Ink fixation
		11.12.1   Fumigation
		11.12.2   Dry cleaning
		11.12.3   Washing
		11.12.4   Solvent treatments
		11.12.5   Alkalization and neutralization
			   11.12.5.1 mass deacidification
		11.12.6   Enzyme treatments
		11.12.7   Bleaching
		11.12.8   Consolidation
		11.12.9   Sizing
		11.12.10 Backing removal
		11.12.11 Mending
		11.12.12 Filling and compensation
		11.12.13 Humidification
		11.12.14 Drying and flattening
		11.12.15 Lining and mounting
		11.12.16 In painting
		11.12.17 Matting and framing
		11.12.18 Encapsulation
		11.12.19 Lamination
		11.12.20 Tape removal
		11.12.21 Adhesive removal
	11.13	Papyrus and Palm Leaf
	11.14	Parchment and Vellum
	11.15	Photographic Materials
	11.16	Scrolls
	11.17	Textiles
	11.18	Specialty Papers
	11.19	Tools and Tool Making
	11.20	Far Eastern Conservation
	11.21	Frames

12.	MISC. TECHNICAL LITERATURE
	12.1	Energy

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